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Save this story for later. Imagination isn’t only extravagant fantasy; it’s also a comprehensive realism, which offers a view of characters in their full spectrum of activities, and dramas in their full range of social implications. That sort of realistic imagination is what makes it possible, when filming fictional stories of the sort that seem torn from the headlines or derived from the lives of ordinary people, to combine the astonishment of journalistic investigation with intimate profundity and historical scope. The antithesis of such imagination is mere storytelling, a sort of middling informational mode of delivering drama. But there’s a special dimension of disappointment that comes from seeing a story told with a bombastic straining at importance, leaving out its wider connections in order to force a filmmaker’s emotions into it and wring viewers’ emotional reactions out of it. That’s the quality that afflicts “Pieces of a Woman” (str

United statesEva molly parkerElizabeth ellen burstynChris benny safdieSean shia labeoufAnita iliza shlesingerMartha vanessa kirbyVanessa kirbyMolly parkerShia labeoufEllen burstynSarah snookBenny safdieIliza shlesingerSecond world warThe front row