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ESPRESO July 3, 2024

Wild dostoevism, which is very similar to the truth. Is this interpretation of dovzhenko close to you . It is very interesting and perhaps it is important even for us in a broader sense for understanding ourselves. And now i cant help but think about what if, kvn, how. Present in our lives, yes, which we, as it were, and we, this is some intellectual part, do not like him, but a large part of society likes it, its like such selfmockery and selfmockery, ugh, here really, there is such a precious thought that we laugh at them because they didnt win, if they couldnt with their, i dont know, their background, they could not be fooled. Er, and thats why they need to be portrayed that way, although dovzhenko, he was always ironic, he, er, his first films, he wanted to make comedies, the first films there were vasya the reformer and yagidka kohannya, these are typical, by the way, german cinema european shtibu, because in zvenigore and in the arsenal and in zemlya dovzhenko is already inventi ....

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ESPRESO July 3, 2024

Such a valuable idea that we are laughing at them because they did not win, if they could not with their, i dont know, their background, they could not brag, and that is why they need to be portrayed that way, although dovzhenko , he was always ironic, he, his first films, he wanted to make comedies, the first films there were vasya the reformer and. Berry of love, these are typical, by the way, of european silent cinema shtibu, because in zvenigore and in the arsenal and in zemlya, dovzhenko is already inventing his own language, but these two films, vasya the reformer and yagidka, they were so typical with makeup, they were urban stories, they were very playful stories, but really there are people from such a bourgeois class, they looked weak. Not very nice, and on the posters dovzhenko also drew bourgeois in the claws of the soviet government, he also drew them unsympathetic and unattractive, and i actually remember his kharkiv period, when he also published political cartoons in th ....

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ESPRESO July 3, 2024

Dont have these super skills. And there should already be a normal coverage, and then the Dovzhenka Center can be considered accessible, so now i would say that it is not accessible, well, lets see whats inside, the essence of the ramp in what he has be so gentle, there are certain degrees, and the longer, the higher the climb that you have to climb, the longer the ramp has to be, and it has to be so gentle that a person on their own. In a wheelchair, who is moving, can go up , that is , any ramps where there is a large slope, and where a person cannot climb on his own, this is not a ramp, that is, it is not an element of architectural accessibility, it is the same barrier as if there were just steps, i. E. Ivan, for example, was climbing now with the help of a handrail, and often used by people on. For example, who have lesions on one side, and they, for example, their left hand does not work well, and then they can use their r ....

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ESPRESO July 3, 2024

It didnt happen, but in that interval there was another poem about the sea, i dont know if it was an epiphany or a moment of truth, the moment when he expressed it already, he said it a little earlier, he has such a phrase that our film experts included in the exhibition , the river screamed and howled as if wounded. The beast is such a story about a film study of how the dnipro changed due to the development of kaskas, ugh, and it is actually an instrument of what the construction of this gigantic project was for the soviet authorities, and this is the backward movement that we later dealt with after the russians blew up the kokhovskaya ges , and now zaporizhzhia has already suffered. Then dovzhenko, somewhere in the period of the 20s and 30s, he, he had such a phrase that between truth and beauty, i choose beauty, and it seems to me that it is his, and again yes, this is my fantasy, but it is very reminiscent of his political manifesto, because he had to either construct the truth, a ....

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ESPRESO July 3, 2024

Characteristic of many films about ukraine as a certain mythical territory detached from reality in which it is necessary to create a new world and bring it from the outside, ugh, because it already prepares us for the fact that in the films of dovzhenko and many of his contemporaries, there is kavaleridze, for example. Or cordyuma will appear this late on the path to finding a ukrainian, but he is no longer quite a ukrainian, but this is already a soviet person who comes in his place, that is, he is the original ukrainian whom we see in the film, his if it is a shame, and someone has to replace him, and the rebirth, that is, it is yes, we see it as a rebirth, it is like a rebirth, but at the same time, it really begins to model some new reality, that is, it is a function of cinema, which is peculiar to the soviet, the soviet space, and this film, despite the fact that this rebirth seems to be visible, it is the same, it was also repressed, banned, because of the fact that through
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