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The roots and with nature. And now this movie earth is coming out and i understand that it has been in the box office for days and days. At the same time, in parallel, parallel to this abomination written by poor damyan, suddenly such a movement begins, so in the world, this film is recognized, dovzhenko becomes a star abroad in europe, america and so on. In what, how, in your opinion, what is the strength of this film, what was the innovation of the earth, why did the world suddenly perceive this film . For many, he became, if not instructive, but he became an example of her view of nature, probably, and in this film you can feel a kind of dovzhenkivskaya task, and the gap is very strongly felt there, the impression is that he is already starting to doubt ones impulse, that is, it is such a. A story about not being oneself and losing oneself, and so on dualism, maybe he, well, if he amplified the voice of this film, and by the way, this is a very interesting idea, and the soviet autho ....
Dovzhenko, it seems that he constantly doubted this decision , and i saw such an opinion that stalin, for example, offered him to move to moscow in the 33rd year, it seems, dovzhenko, when you left, he offered him so that dovzhenko would not see the famine that was happening in ukraine, so that he could not somehow witness it very much close ones, although dovzhenko could not help but know. Of course, his parents were here, but his, yes, his parents were here, and it affected them, but in the 32nd year he filmed ivan on the dniproges, ugh, which was also shelved, although it was shown at the venice festival , it was the first at the first festival in venice, and perhaps the fact that both zemlya and ivan were already lit abroad, they. Were seen there, as in the case of peradzhanov, when the publicity of his film, which did not manage to hide in time, raised the voices of the world film community, and perhaps that is why dovzhenkom, well, thats how they got by, and the next film after 3 ....
Such a valuable idea that we are laughing at them because they did not win, if they could not with their, i dont know, their background, they could not brag, and that is why they need to be portrayed that way, although dovzhenko , he was always ironic, he, his first films, he wanted to make comedies, the first films there were vasya the reformer and. Berry of love, these are typical, by the way, of european silent cinema shtibu, because in zvenigore and in the arsenal and in zemlya, dovzhenko is already inventing his own language, but these two films, vasya the reformer and yagidka, they were so typical with makeup, they were urban stories, they were very playful stories, but really there are people from such a bourgeois class, they looked weak. Not very nice, and on the posters dovzhenko also drew bourgeois in the claws of the soviet government, he also drew them unsympathetic and unattractive, and i actually remember his kharkiv period, when he also published political cartoons in th ....
It didnt happen, but in that interval there was another poem about the sea, i dont know if it was an epiphany or a moment of truth, the moment when he expressed it already, he said it a little earlier, he has such a phrase that our film experts included in the exhibition , the river screamed and howled as if wounded. The beast is such a story about a film study of how the dnipro changed due to the development of kaskas, ugh, and it is actually an instrument of what the construction of this gigantic project was for the soviet authorities, and this is the backward movement that we later dealt with after the russians blew up the kokhovskaya ges , and now zaporizhzhia has already suffered. Then dovzhenko, somewhere in the period of the 20s and 30s, he, he had such a phrase that between truth and beauty, i choose beauty, and it seems to me that it is his, and again yes, this is my fantasy, but it is very reminiscent of his political manifesto, because he had to either construct the truth, a ....