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Things to Do in Miami: Dimensions Dance Theatre "Program I" February 20, 2021

“It’s beyond time,” Kronenberg says. “It’s lovely that we’ve all been doing virtual [performances], but at the end of the day, the art form is not about that. There is a big loss in the translation from live to digital. This is not where this art form lives.”
Adds Guerra: “We have to perform, and it can’t be all virtual. It is exciting that it is live, and it is important for the dancers.”
Dimensions Dance was a prominent content provider of virtual dance in 2020, with regular offerings that derived first from its archive and then from the creation of new online works. The spring program will be the first live, in-person performance for both the company and the South Miami-Dade Cultural Arts Center since the start of the pandemic. ....

United States , South Miami , Cutler Bay , Carlos Guerra , Eric Fliss , Tomaso Albinoni , Cameron Basden , Maikel Hernandez , Mayrel Martinez , Yanis Eric , Yanis Eric Pikieris , Jennifer Kronenberg , Ariel Rose , Gerald Arpino , David Palmer , Gerald Arpino Foundation , Dance Co , Dade Cultural Arts Center , Dance Company , New Times , South Florida , Dimensions Dance Theatre , South Miami Dade Cultural Arts Center , Dimensions Dance , Miami City Ballet , Miami Dade County ,

The Offending Classic | Mass Review

Photo: Valerie Robin and Fabrice Calmels in Gerald Arpino s
Light Rain. Photograph by and courtesy of Herbert Migdoll.
What makes a ballet a classic? Is it earning a permanent place in the history books, or is it being worthy of the Herculean investment of hours in the studio, the tireless work of the dancers and coaches, the resources, media and marketing machine required to bring it to life, or both? Who decides, and more importantly, what goes into that calculus? Today the re-evaluation of the Western theatrical dance canon continues as ballet and modern dance are challenged in the academy.[1] In concert dance, these questions are a matter of survival: the performed repertory consists mostly of “classics” and “new work,” and everything else tends to disappear. So, the question of what makes a dance a classic, i.e., ....

United States , New York , United Kingdom , New York Public Library For The Performing Arts , Anna Kisselgoff , Beth Genn , Antony Tudor , Fabrice Calmels , Takiyah Nur Amin , Robert Joffrey , Sid Smith , Jerome Robbins , Vaslav Nijinsky , Valerie Robin , Trinette Singleton , Arnold Haskell , Siobhan Burke , Lincoln Kirstein , Roland Barthes , George Balanchine , Herbert Migdoll , Gerald Arpino , Nicole Duffy Robertson , Wendy Perron , Kenneth Macmillan , Dance Research ,