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Collective Witnessing - Los Angeles Review of Books


Collective Witnessing
R. Shareah Taleghani
IN MARCH 2011, in the city of Dar’a, Syria, a group of children sprayed anti-government slogans on the walls of their school. The response was swift and brutal. Shocking images of their tortured bodies ricocheted around the country and the world, generating so much outrage that this act of cruelty is widely considered to have triggered the Syrian Revolution. But this violence was not new to the population of Syria. “The brutality of the state’s crackdown in 2011 against […] children,” R. Shareah Taleghani writes in her unflinching new book,
Readings in Syrian Prison Literature: The Poetics of Human Rights, “was not unfamiliar to Syrians. […] The detention, torture, and in some cases savage murder of the children in Dar’a are echoed in and connected to numerous stories told in works of contemporary Syrian prison literature.” ....

Robyn Creswell , Saadallah Wannous , Sayyid Qutb , R Shareah Taleghani , Virginia Woolf , Mansour Omari , Dima Wannous , Maziar Bahari , Faraj Bayraqdar , Sonallah Ibrahim , Bashar Al Assad , Rida Haddad , Syrian Prison Literature , Human Rights , That Smell , Hasiba Abd , Sa Adallah Wannous , Frightened Ones , ராபின் கிரெஸ்வெல் , வர்ஜீனியா கம்பளி , மன்சூர் ஓமறி , மாஜியார் பஹாரி , பஷர் அல் அசாத் , ரிடா ஹடாட் , சிரிய ப்ரிஸந் இலக்கியம் , மனிதன் உரிமைகள் ,

A test of time on arts and reality | SyriaUntold


on shifting narratives in Syrian literature, guest edited by novelist Rosa Yassin Hassan.
Perhaps many people are ashamed to say that a narrative is independent of reality. Or, a more accurate statement might be that a narrative is relatively independent, as it cannot ignore what has happened or is happening in its time and space. 
But independence appears in changes the slow changes affecting literature, as opposed to the occasional rapid developments in reality. Sometimes, the opposite is true when art and narratives undergo revolutions while reality stagnates. Ironically, major literary or artistic revolutions target the form at first or the methods of expression, rather than the content or themes. However, themes indicate a change in the intellectual, political and ethical stances of the writers and leave a real impact on literary expression. ....

Rosa Yassin Hassan , Somar Chehadeh , Khaled Khalifa , Fawaz Haddad , Maha Hassan , Nabil Sleiman , Omar Kaddour , Rosa Yassine Hassan , Dima Wannous , Sawsan Hassan , Samar Yazbek , Nawal Alhalah , Nairuz Malek , Ministry Of Culture , Arab Writers Union , Rosa Yassin , Arab Writers , ரோசா ய்யாஸிந் ஹாசன் , ஹேலிட் கலீஃப , ஃபேவஸ் ஹடாட் , மஹா ஹாசன் , சவ்சான் ஹாசன் , அமைச்சகம் ஆஃப் கலாச்சாரம் , அரபு எழுத்தாளர்கள் தொழிற்சங்கம் , ரோசா ய்யாஸிந் , அரபு எழுத்தாளர்கள் ,

The best books of 2020: From contemporary Arabic novels to pandemic dispatches


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One of the few benefits of living through a pandemic is that we suddenly had a lot more time to read books
– and though some publishing dates were delayed, in the end it was a treat to be able to lose ourselves in historical epics from Hilary Mantel and Maggie O’Farrell while rooting for Dubai author Avni Doshi at the Booker Prize. Pure page-turning, best-selling escapism came from the likes of former Dubai resident Stuart Turton, and the best non-fiction reflection of the year we’ve lived through was revealed in Yale’s
A World Out Of Reach: ....

United Arab Emirates , Grand Casablanca , Persis Wadia , Agatha Christie , C Pam Zhang , Hassan Blasim , Ibrahim Al Koni , Stuart Turton , William Shakespeare , Sudhir Hazareesingh , Najwa Binshatwan , Sahar Khalifeh , Abdelilah Hamdouchi , Dima Wannous , Toussaint Louverture , Avni Doshi , Eva Nour , Colum Mccann , Nancy Roberts , Saud Alsanousi Mama Hissa , Hilary Mantel , Vaseem Khan , Sherlock Holmes , Marcelo Hernandez Castillo , Adel Kamel , Thomas Cromwell ,