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Godzilla Vs. Kong is
the sort of big screen special effects slugfest that draws all sorts of folks to the biggest screens they can find for Easter: kids, cretins, CEOs of Fortune 500 companies. But Warner Bros. has responded to the pandemic by collapsing the window between theaters where open and home screens on HBO. It says something about the film that how this holiday weekend shakes out is more exciting than how the critters do. Our film critic Harlan Jacobson sits down with the monsters.
HJ: Is
Godzilla Vs. Kongenough to bring people back to theaters? The fourth in Legendary Entertainment’s MonsterVerse franchise, the film’s box-office topped $120 million when it opened last week overseas. It’s nominally directed by Adam Wingard, who’s made a 15-year career of directing pretty much nothing worth seeing. He was in the very incapable hands of five writers two script, three story some of whom have the previous