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Alex Edelman's Top 5 Picks from Frieze New York Viewing Room 2024

Isolde Brielmaier's Top 5 Picks from Frieze New York Viewing Room 2024

Breakthrough Artist Bethany Collins Mines the Poetic Potential of Paper

Collins is the subject of a debut solo show with Alexander Gray Associates, and recently announced winner of the Jacob Lawrence Prize.

'God Forbid We Should Talk About Joy': Jennie C. Jones on Dodging Pressure to Signify Blackness in Her Art, and Finding Her Own Language

A survey of Jones’s work, which includes sculpture, painting, and audio, is on view now at the Guggenheim.

Both Sides Now: In Conversation With Lorraine O'Grady

Both Sides Now: In Conversation With Lorraine O’Grady Lorraine O’Grady outside of Manhattan’s Westbeth Artists’ Housing, where she lives and works.Credit.Tiffany L. Clark Sections Both Sides Now: In Conversation With Lorraine O’Grady On the eve of her first major retrospective, the artist talks about her past, her process and the benefit of criticism. Lorraine O’Grady outside of Manhattan’s Westbeth Artists’ Housing, where she lives and works.Credit.Tiffany L. Clark Published Feb. 22, 2021Updated March 1, 2021 rearranging them into lines of poetry, which she glued, mostly slantwise, onto sheets of rag paper: “Dinner is reserved for/Twin Speech: A Language of Their Own” reads one spliced fragment. She was in her early 40s. Fifteen years earlier, O’Grady had worked as an intelligence analyst for the federal government. During the Cuban Missile Crisis, she was tasked with reading around 10 international newspapers a day and,