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Lorraine O'Grady outpaced the culture for years. In Brooklyn, it finally catches up

Lorraine OâGrady outpaced the culture for years. In Brooklyn, it finally catches up By Murray Whyte Globe Staff,Updated March 17, 2021, 12:59 p.m. Email to a Friend A photograph from Lorraine O Grady s 1983 Art Is. performance.Lorraine OâGrady/Artists Rights Society (ARS), New York BROOKLYN â Coming to art as a later-in-life fourth or fifth act, Lorraine OâGrady has joked that she âonly had time for masterpieces,â which doesnât surprise. Now 86, sheâs only ever made the most of her time. She was an intelligence analyst for the US State Department (during the Cuban Missile Crisis, no less); the owner of a Chicago translation agency (a keepsake from this era,

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Three exhibitions to see in New York this weekend

Our editors and writers scour the city each week for the most thoughtful, relevant and exciting new exhibitions and artworks on view at galleries, museums and public venues across all five boroughs of New York. This week we recommend: Lorraine O Grady, Miscegenated Family Album (Sisters I), L: Nerfnefruaten Nefertiti; R: Devonia Evageline O’Grady (1980/1994) Courtesy Alexander Gray Associates, New York. © Lorraine O’Grady/Artists Rights Society (ARS), New York Lorraine O’Grady: Both/And Until 18 July at the Brooklyn Museum At 86-years-old, the US artist Lorraine O’Grady is receiving her first major museum retrospective, which represents four decades of the artist’s work. O’Grady began making art in her mid-40s, and her multimedia practice which spans performance, collage, video, and more is a beacon of rigorously honed cultural and institutional critique, that remains both fiercely smart and full of play and ebullience. O’Grady’s most well-kn

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Lorraine O'Grady: Both/And | Apollo Magazine

While some museums are closed due to the Covid-19 pandemic, Apollo’s usual weekly pick of exhibitions will include shows at institutions that are currently open as well as digital projects providing virtual access to art and culture. Since adopting the party-crashing persona of Mlle Bourgeoise Noire in the early 1980s, Lorraine O’Grady has blurred the lines between performance, politics and conceptual art. This career retrospective at the Brooklyn Museum (5 March–18 July) focuses on 12 major projects over the past four decades – including Miscegenated Family Album (1994), a photo-installation that presented images of Queen Nefertiti alongside O’Grady’s late sister, and

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Both Sides Now: In Conversation With Lorraine O'Grady

Both Sides Now: In Conversation With Lorraine OâGrady Lorraine OâGrady outside of Manhattanâs Westbeth Artistsâ Housing, where she lives and works.Credit.Tiffany L. Clark Sections Both Sides Now: In Conversation With Lorraine OâGrady On the eve of her first major retrospective, the artist talks about her past, her process and the benefit of criticism. Lorraine OâGrady outside of Manhattanâs Westbeth Artistsâ Housing, where she lives and works.Credit.Tiffany L. Clark Published Feb. 22, 2021Updated March 1, 2021 rearranging them into lines of poetry, which she glued, mostly slantwise, onto sheets of rag paper: âDinner is reserved for/Twin Speech: A Language of Their Ownâ reads one spliced fragment. She was in her early 40s. Fifteen years earlier, OâGrady had worked as an intelligence analyst for the federal government. During the Cuban Missile Crisis, she was tasked with reading around 10 international newspapers a day and,

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