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Dawn Clement Quartet Plays Nancy and Cannonball


Saturday nights in February, Dawn Clement and her quartet pay homage to one of the most iconic records in jazz, Nancy Wilson Cannonball Adderley.
Pianist/Vocalist/Composer Dawn Clement has established herself as a top tier, international artist. With her joyful presence, consummate technique and distinctive sound, Clement has gained the attention and respect of musicians, critics and fans through the US and abroad. With 5 CD’s under her belt, not to mention appearing as side woman on Jane Ira Bloom’s latest release “Wild Lines” and Emi Meyer’s “Monochrome”, Dawn has been hailed as the “Wonder Woman of Seattle” by Paul DeBarros (Seattle Times). Downbeat says “The revelation is Dawn Clement’s piano, always ready with the lyricism or structure the moment needs. With her most recent release, Tandem, she explores the magic of musical pairs with some of her closest musical cohorts. Dawn has recently re-located from the Pacific Northwest to Denver, Colorado to t ....

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Adam Bartczak Group feat. Dawn Clement


Dru Heller – drums
Pianist/Vocalist/Composer Dawn Clement has established herself as one of the most sought after musicians working today. With her joyful presence, consummate technique and distinctive sound, Clement has gained the attention and respect of musicians, critics and fans through the US and abroad. “In all this world of jazz, there are very few individual voices, no matter what the instrument, but Dawn has come up with a voice that’s unique…” says legendary jazz trombonist Julian Priester.
Denver native, trombonist, and composer Adam Bartczak holds a bachelors in trombone performance from the University of Colorado, a masters in jazz composition from the New England Conservatory, and a doctorate in jazz studies from the University of Northern Colorado, where he also taught. In addition to teaching at Metropolitan State University of Denver, he currently performs with a wide stylistic diversity of groups in Colorado, including his own big band for whic ....

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