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Director of the Crisp-Ellert Art Museum, Julie Dickover joined Flagler s staff in 2010 after a decade in Los Angeles where she worked in commercial galleries and as the museum registrar with a UCLA art museum. For the more than 10 years she s been at Flagler, Dickover has overseen all elements of CEAM and worked with other campus groups and departments to foster robust programming and opportunities. ....
Flagler College is pleased to present its 2022-2023 public lecture series lineup. This series includes distinguished speakers selected by Kenan professors, nationally recognized journalists and commentators through the Forum on Government and Public Policy and a Cecil and Gene Usdin Judeo-Christian series lecturer. ....
Flagler College offers a wide selection of study abroad programs that let students develop a global perspective while gaining real-world skills. During the spring 2022 semester, three different faculty-led trips gave students an opportunity of a lifetime to better understand the world around them by traveling to Ghana, Poland, and Panama. ....
Join ADAPT and Flagler College at the Crisp-Ellert Art Museum on June 2 for a live, in-person panel discussion on climate change, how it’s impacting cultural resources in the city of St. Augustine, what’s being done about it, and how artists can use their work to both spread awareness about climate change and call for action. ....
Mar 12, 2021 Dr. Chris Balaschak, associate professor of Visual Arts, recently had his book, “The Image of Environmental Harm in American Social Documentary Photography” published by Routledge. In it, he explores new perspectives on the history of American social documentary photography, and how politically-engaged photography can serve as models for the representation of impending environmental injustices. “The project started in 2013 when I was on a research trip to the Museum of Modern Art archives in New York, and was looking at photography, prints, and books, made in response to the 1979 accident at the Three Mile Island nuclear plant,” he said. “I was interested in how artists were using photography as a means of protest, as a way of showing our proximity to potentially catastrophic environmental change, and were choosing photography because it is an inherently reproducible and circulatable medium.” ....