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Trailer for Netflix abduction thriller series Clickbait

Trailer for Netflix abduction thriller series Clickbait
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'Romeo and Juliet' remake 'R#J' misses the mark - TheGrio


William Shakespeare’s
Francesca Noel and
Cameron Engels. It’s helmed by a Black filmmaker. And it finds a way to propel a 500-year-old play into the present day. But, fam,
R#J is just not a good movie.
In fact, it’s pretty horrendous and right from the start. Williams immediately drops his audience inside an increasingly confusing vortex where his protagonists, two teenagers in an urban neighborhood, exist in today’s world but speak in iambic pentameter, the English poetry style made famous by Shakespeare.
Cameron Engels and Francesca Noel in R#J
To be doubly clear, they say things like “Where art thou” and “Ye,” and not in jest. This is just how they talk. Intellectual audiences might assume in the beginning that the two are simply boning up on their British literature or practicing for a recital. Nope, buckle up, this is the entire ride.    ....

United States , United Kingdom , William Shakespeare Romeo , Los Muertos , Cameron Engels , Rickie Castaneda , Oleksii Sobolev , Carey William , Tybalt Diego Tinoco , Francesca Noel , Sundance Institute , William Shakespeare , Dear Culture , Diego Tinoco , Much Ado About Nothing , Midsummer Night , Black Lives Matter , Dewanda Wise , ஒன்றுபட்டது மாநிலங்களில் , ஒன்றுபட்டது கிஂக்டம் , வில்லியம் ஷேக்ஸ்பியர் ரோமியோ , லாஸ் மூேர்த்ோஸ் , ரிக்கி கஷ்டனேடா , கேரி வில்லியம் , பிரான்செஸ்கா நோயல் , ஸந்‌ட்யாந்ஸ் நிறுவனம் ,

Sundance Film Review: R#J – SLUG Magazine


Premiere: Jan. 30th 7:00 p.m.
There are a lot things that make me old, but a version of William Shakespeare’s
Romeo and Juliet that makes
Baz Luhrmann
‘s psychedelic and visionary
Romeo + Juliet feel like an old-school, traditionalist take on the material may take the proverbial cake, and while it’s not entirely successful as a film, director Carey Williams’ feature debut,
R#J, does do that much.
R#J tells the tale of a war brewing between rival houses, but captures it in a new and genuinely unique way. Montague and Capulet Gen-Zers are using their cell phones to document the eruptions of violence plaguing their communities. In the middle of it all, Romeo ( ....

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