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'Romeo and Juliet' remake 'R#J' misses the mark - TheGrio


William Shakespeare’s
Francesca Noel and
Cameron Engels. It’s helmed by a Black filmmaker. And it finds a way to propel a 500-year-old play into the present day. But, fam,
R#J is just not a good movie.
In fact, it’s pretty horrendous and right from the start. Williams immediately drops his audience inside an increasingly confusing vortex where his protagonists, two teenagers in an urban neighborhood, exist in today’s world but speak in iambic pentameter, the English poetry style made famous by Shakespeare.
Cameron Engels and Francesca Noel in R#J
To be doubly clear, they say things like “Where art thou” and “Ye,” and not in jest. This is just how they talk. Intellectual audiences might assume in the beginning that the two are simply boning up on their British literature or practicing for a recital. Nope, buckle up, this is the entire ride.    ....

United States , United Kingdom , William Shakespeare Romeo , Los Muertos , Cameron Engels , Rickie Castaneda , Oleksii Sobolev , Carey William , Tybalt Diego Tinoco , Francesca Noel , Sundance Institute , William Shakespeare , Dear Culture , Diego Tinoco , Much Ado About Nothing , Midsummer Night , Black Lives Matter , Dewanda Wise , ஒன்றுபட்டது மாநிலங்களில் , ஒன்றுபட்டது கிஂக்டம் , வில்லியம் ஷேக்ஸ்பியர் ரோமியோ , லாஸ் மூேர்த்ோஸ் , ரிக்கி கஷ்டனேடா , கேரி வில்லியம் , பிரான்செஸ்கா நோயல் , ஸந்‌ட்யாந்ஸ் நிறுவனம் ,

2021 Sundance Film Festival Review – R#J


2021 Sundance Film Festival Review – R#J
Starring Camaron Engels, Francesca Noel, David Zayas, Diego Tinoco, Siddiq Saunderson, and Russell Hornsby.
SYNOPSIS:
A modern-day adaptation of Shakespeare’s romantic tragedy “Romeo and Juliet.”
A movie adaptation of The Bard’s most popular play for the Instagram set has the obvious potential to be completely insufferable, and yet, Carey Williams’ daring debut harnesses just enough beguiling skill and slipperiness to prove itself worthwhile.
Perhaps every generation gets the 
Romeo and Juliet movie they deserve; Baz Luhrman’s 1996 take perfectly captured the edgy gloss of the MTV generation with its staccato editing and marrow-rich colours, while if nothing else, this new take for the social media generation captures modern youth in all of its openness, sensitivity, and yes, narcissism. ....

United States , Baz Luhrman , Romeo Camaron Engels , Mercutio Siddiq Saunderson , David Zayas , Camaron Engels , Oleksii Sobolev , Rickie Castaneda , Carey William , Tybalt Diego Tinoco , Siddiq Saunderson , Juliet Francesca Noel , Russell Hornsby , Francesca Noel , Carey Williams , Diego Tinoco , Social Media Drama , Black Lives Matter , Prince Escalus , Myth Rating , ஒன்றுபட்டது மாநிலங்களில் , டேவிட் ஜாயஸ் , ரிக்கி கஷ்டனேடா , கேரி வில்லியம் , ஸிடீக் சாண்டர்சன் , ஜூலியட் பிரான்செஸ்கா நோயல் ,

Sundance's Romeo & Juliet Twist 'R#J' (Watch)


Diego Tinoco and
Siddiq Saunderson – about social media sequels, Shakespeare and sets. Click here to watch Engels and Saunderson or here to watch Noel and Tinoco!
About The Film: In fair Verona, a war as old as time is brewing between rival houses – but it’s being captured in a new way. Montague (Engels and Saunderson) and Capulet (Noel and Tinoco) Gen Zers are using their cell phones to document the eruptions of violence plaguing their communities. In the middle of it all, Romeo discovers Juliet’s artwork at a party, and the two inevitably fall in love. As tensions between their families escalate, the two plead for peace and desperately search for a way to escape their star-crossed destiny. ....

Danny Ray , Montague Engels , Fahnia Thomas , James Brown , Camaron Engels , Siddiq Saunderson , Francesca Noel , Diego Tinoco , Carey Williams , Sundance Film Festival , Legendary James Brown , Gen Zers , Filmmaker Magazine , Independent Film , Film Festival Special Jury , டேனி ராய் , ஜேம்ஸ் பழுப்பு , ஸிடீக் சாண்டர்சன் , பிரான்செஸ்கா நோயல் , டியாகோ டினோகோ , கேரி வில்லியம்ஸ் , ஸந்‌ட்யாந்ஸ் படம் திருவிழா , புராணக்கதை ஜேம்ஸ் பழுப்பு , கேன் ஜேர்ச் , திரைப்பட தயாரிப்பாளர் பத்திரிகை , சுயாதீனமான படம் ,

REVIEW: 'R#J' is an ambitious but failed attempt at modernizing Shakespeare's classic love story


Camaron Engels and Francesca Noel appear in “R#J” by Carey Williams, an official selection of the NEXT section at the 2021 Sundance Film Festival. (Photo courtesy of Sundance Institute)
This review contains spoilers.
Reimagined in Carey Williams’ Gen Z inspired “R#J” is the infamous age-old story of star-crossed lovers, Shakespeare’s “Romeo and Juliet.” Set in the modern day, this rendition follows Romeo and Juliet as they fall in love entirely through social media and their smartphone screens. 
Straying from the original script, the characters use modern-day slang through text and social media but Shakespearean English in video calls/livestreams. Though a unique selling point at first, after about 15 minutes when social media’s gimmick wears off, the film is left constrained by these tropes. ....

France General , Carey William Gen , Romeo Camaron Engels , Shakespeare Romeo , Camaron Engels , Siddiq Saunderson , Juliet Francesca Noel , Francesca Noel , Carey Williams , Sundance Institute , Shakespearean English , பிரான்ஸ் ஜநரல் , கேரி வில்லியம் கேன் , ஷேக்ஸ்பியர் ரோமியோ , ஸிடீக் சாண்டர்சன் , ஜூலியட் பிரான்செஸ்கா நோயல் , பிரான்செஸ்கா நோயல் , கேரி வில்லியம்ஸ் , ஸந்‌ட்யாந்ஸ் நிறுவனம் , ஒலி கிளவுட் , ஷேக்ஸ்பியர் ஆங்கிலம் ,