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this is bbc news. we will have the headline straight after her talk. welcome to hardtalk with me zeinab badawi from south africa where my guest has been described as one of the world s greatest living artists. he is william kentridge and this is a major exhibition of his work in cape town. william kentridge is versatile, hard hitting and his talents span many different genres. but how has south africa s violent and racist past influenced his work as a white artist? william kentridge injohannesburg, welcome to hardtalk. william kentridge injohannesburg, welcome to hardtalk. zeinab, thank you very much and welcome to the studio in johannesburg. you were born injohannesburg in 1955, the son of two prominent anti apartheid lawyers, wow did growing up under apartheid affect you? i think because my parents were both very much aware anti apartheid struggle, from a young age i was aware of how unnatural south africa was. there was always a slight disjunction between myself and ....
a warning that the coming decade will be the most dangerous and unpredictable since the end of the second world war. he denied he had any intention of using nuclear weapons in ukraine and accused the west of trying to destroy russia. now on bbc news it s hardtalk with zeinab badawi. welcome to hardtalk with me, zeinab badawi. my guest has been described as one of the world s greatest living artists. he is versatile, hard hitting and his talents span many different genres. the work of william kentridge is now being marked with the major exhibition here at the royal academy, in london. in 2020 i travelled to his studio injohannesburg, and i asked him how far south africa s violent, racist and difficult past has influenced his art. william kentridge, injohannesburg, welcome to hardtalk. zeinab, thank you very much and welcome to the studio in johannesburg. you were born injohannesburg in 1955, the son of two prominent anti apartheid lawyers. how did growing up under ap ....
and all the main news stories where my guest has been described as one of the world s greatest living artists. william kentridge is versatile, hard hitting and his talents span many different genres. the work is now being mark here at the royal academy in london. in 2020 and travelled to his studio injohannesburg. i asked him how far south africa s violent goat passes influences are. william kentridge injohannesburg, welcome to hardtalk. zeinab, thank you very much and welcome to the studio in johannesburg. you were born injohannesburg in 1955, the son of two prominent anti apartheid lawyers, wow did growing up under apartheid affect you? i think because my parents were both very much aware of and involved in legal questions around the anti apartheid struggle, from a young age i was aware of how unnatural south africa was. there was always a slight disjunction between myself and say, other people in the class whose parents took it as a natural. remember all white school ....
And fed into the work that is done now. after you left university, you then studied art at a private art school and as you ve just outlined, you really were very active across a whole number of mediums. your friend said to you, look, william, do one thing and do it well. but you didn t take that advice did you? i tried to take it so well. you tried to be a bit of a jack of all trades. i tried it very well, thinking that was the conventional wisdom. do one thing and do it well. if you re doing drawing, just do drawings. i gave up drawing. i tried to do theatre, only theatre. i came back from the studies and i was working in the studio, i found that in spite of myself, i was still interested in theatre and the drawings becoming films and only later did i understand that this cross pollination, this bastard form of partly drawing, partly theatre, mixing with music, was by far the richest way for any one of those forms. the drawings were better ....
Thing and do it well . but you didn t take that advice did you? i tried to take it so well. you tried to be a bit of a jack of all trades. i tried it very well, thinking that was the conventional wisdom. do thing and do it well. if you re doing drawing, just do drawings. i gave up drawing. i tried to do theatre, only theatre. i came back from the studies and i was working in the studio, i found that in spite of myself, i was still interested in theatre and the drawings becoming films and only later did i understand that this cross pollination, this bastard form of partly drawing, partly theatre, mixing with music, was by far the richest way for any one of those forms. the drawings were better for being connected to theatre, the theatre was betterfrom being connected to filmmaking. and you studied after you left south africa, you went to study mime and theatre in paris after you d finished your studies here in south africa. you came back and then you fairly quickly established a name fo ....