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'The Hard Crowd' Reveals Rachel Kushner's Literary Life Through Death


‘The Hard Crowd’ Reveals Rachel Kushner s Literary Life Through Death
Her latest book, a collection of 19 essays that spans art criticism, journalism and memoir, is an exhaustive examination of what it means to write
‘Neither tragic nor legendary, I myself will never die,’ writes Rachel Kushner in ‘Made to Burn’. She means that no one will write about her death. Her subjects, though – the rough-housers, activists, nihilists and stoics that people her first nonfiction collection,
The Hard Crowd: Essays 2000–
2020 (Simon & Schuster, 2021) – are another story. Her dope-using neighbours from the Tenderloin in San Francisco are dead. So are the bartenders and regulars at the Blue Lamp, a dive where she poured drinks before she moved to New York to be a real writer. Her father-in-law, a lifelong trucker, died at 48, and his trucker brother died, too, still trying to shift gears on his gurney: their deaths haunt the kindness of strang ....

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The Paris Review - On Memory and Motorcycles: An Interview with Rachel Kushner


(2018), wrote the essay in question, “Girl on a Motorcycle,” in 2001 for an anthology titled She’s a Bad Motorcycle: Writers on Riding
. Describing her first bike, a 500cc Moto Guzzi, Kushner’s voice has all the confidence, wisdom, and cool of her later work. “Motorcycles didn’t enter my own life as gifts from men or ways to travel to men,” Kushner asserts, “but as machines to be ridden.” The piece goes on to describe something called the Cabo 1000, an illegal and dangerous thousand-mile motorcycle race on the Baja California peninsula, much of which takes place on dirt roads that weave precipitously through desert mountains. Kushner participated in the race when she was twenty-four, the age I am now. ....

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