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The Roving Mind of Rachel Kushner


Spiral Jetty, 2018. (Photo by Adam Gray / Barcroft Media via Getty Images)
One of the more tragic errors of our time is our ready conflation of what is iconic with what is well branded. In an effort at bypassing the difficult work of becoming
someone, many of today’s would-be writers, artists, and thinkers opt to present themselves as walking pitch decks, glomming onto a marketable persona and riding it as hard and far as they can. Our moment’s lack of nuance is frequently bemoaned, but what strikes me as the far greater omission is the lack of real mess and breadth: the modern individual’s resistance to any inconsistency that can’t be readily assimilated into her personal brand. The artist is rebranded a “creator”; the goal is to “make things” to “put out there.” It sometimes feels we have forgotten the value of remaining open of receiving, rather than curating, experience. ....

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'The Hard Crowd' Reveals Rachel Kushner's Literary Life Through Death


‘The Hard Crowd’ Reveals Rachel Kushner s Literary Life Through Death
Her latest book, a collection of 19 essays that spans art criticism, journalism and memoir, is an exhaustive examination of what it means to write
‘Neither tragic nor legendary, I myself will never die,’ writes Rachel Kushner in ‘Made to Burn’. She means that no one will write about her death. Her subjects, though – the rough-housers, activists, nihilists and stoics that people her first nonfiction collection,
The Hard Crowd: Essays 2000–
2020 (Simon & Schuster, 2021) – are another story. Her dope-using neighbours from the Tenderloin in San Francisco are dead. So are the bartenders and regulars at the Blue Lamp, a dive where she poured drinks before she moved to New York to be a real writer. Her father-in-law, a lifelong trucker, died at 48, and his trucker brother died, too, still trying to shift gears on his gurney: their deaths haunt the kindness of strang ....

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