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New Books by NER Authors


New Books by NER Authors
It’s been a busy publication month for
NER authors! Emily Pittinos, published in
NER40.1, released her debut book of poems, The Last Unkillable Thing (University of Iowa Press), a compilation of tender reflections both elegiac and ecological rooted in the domestic and natural worlds.
Essayist, poet, and pie lady Kate Lebo recently published
The Book of Difficult Fruit (Farrar, Straus and Giroux), a collection of twenty-six lyrical essays (with recipes) centered on fruit, giving “insights into relationships, self-care, land stewardship, medical and botanical history, and so much more.” Her essays have appeared in
Jehanne Dubrow’s ....

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New Books by NER Authors


New Books by NER Authors
Spring continues to be a busy season for
NER authors particularly our poets! Kerrin McCadden released
American Wake (Black Sparrow Press), a book of poetry that explores the author’s Irish identity as well as “family, death and grief, apologies, and all manner of departures.” McCadden’s poem, “The Magpie: A Key” was published in
Four-Legged Girl, recently published
frank: sonnets(Graywolf Press). This candid collection of sonnets chronicles “a life at risk of spilling over the edge of the page, from Seuss’s working-class childhood in rural Michigan to the dangerous allures of New York City and back again.” Seuss’s poem “Memento Mori” was featured in ....

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New Books by NER Authors


New Books by NER Authors
NER authors have had a great publication month this March! Ryan Dennis, published in
NER41.4, released his first novel, The Beasts They Turned Away (Epoque Press), a literary Gothic that “confronts an apprehensive rural community caught up in the uncertainties of a rapidly changing world.”
Another author debuting in March is Cheswayo Mphanza. His poem, “Lester Leaps In,” has been featured in NER 38.2. Awarded the 2020 Sillerman First Book Prize for African Poets, The Rinehart Frames (University of Nebraska Press) is a collection of poems that “questions the boundaries of diaspora and narrative through a tethering of voices and forms that infringe on monolithic categorizations of Blackness and what can be intersected with it.” ....

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