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Transcripts For BBCNEWS BBC Newsroom Live 20170509

Shirley ballas has been named as the new head judge on strictly come dancing, replacing len goodman. Good morning, its tuesday the 9th of may. Im rachel schofield, welcome to bbc Newsroom Live. The conservatives have vowed to cap Energy Prices if they win the General Election. Under the plans theresa may would give powers to the industry regulator, ofgem, to set a limit for people on standard variable rates. Under the new plans, new powers would be given to ofgem to set a limit for people on standard variable rates. Elsewhere labour leader Jeremy Corbyn is due to formally launch his partys general Election Campaign, where hes expected to say that the issue of Whether Brexit happens has been settled. The uks highest electorate campaigning on the nhs, and the green party is on the Isle Of Wight the uks highest electorate campaigning on the nhs, promising to end what it calls the privatisation experiment. Well be live In Manchester ahead of labours Campaign Launch shortly but first more o

Emily LaBarge on Tate Britain s rehang - Artforum International

THERE ARE MANY FORKING PATHS, in life as in art, through the social and political construct that is Britain. At Tate Britain, a rehang of the biggest collection of the nation’s cultural patrimony, from the Tudor period to the present, unfolds chronologically across thirty-nine rooms. Divided by the three-hundred-foot-long Duveen Galleries (which are always devoted to temporary commissions or displays), rooms to the west, whose walls are sumptuously colored in hues of deep blue, mahogany, emerald, purple, scarlet, indigo, span from 1545 to 1940. To the east, art from 1940 to today is set against

Luke Skrebowski on the art of Mike Nelson - Artforum International

OVER THE PAST THIRTY YEARS, Mike Nelson has expanded the avant-garde’s long ragpicking tradition. His dense, material work reconfigures the discarded and the obsolete to produce naturalistic installations that subtly reveal their own artifice. The artist’s famously phantasmagoric production avoids didacticism while rousing us from our own ever more dysfunctional neoliberal dreamworld. True to form, Nelson’s survey “Extinction Beckons” at the Hayward Gallery, organized by Yung Ma, was a deliberately off-kilter not-quite-retrospective that was highly self-conscious about its own position within

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