Kramer take one jerry no kramer stop it Jason Alexander and boom, there you go, a situation comedy. Sheldon bazinga tim allen this twenty three minutes of magic. Lucy its so tasty, too tracy morgan you fell in love with these characters. Arnold What Chu Talkin about willis . Geri jewell we need to laugh at ourselves. Joey you hide my clothes, im wearing everything you own. Constance wu laughter opens you up. Haley okay ready . Surprise [screaming and chaos] Mara Brock Akil the things that we might be afraid to talk about. Bow some people that were supposed to protect us didnt do the right thing. Tim reid like racism. Son so the cops are the bad guys . Dre yes. Bow no. Kim fields Class Wars Ralph money im a millionaire. Dan levy and gender diversity. Sarah dad . Maura hi girls. Ted danson you can reach in and really touch peoples hearts. Dianne i hate you sam are you as turned on as i am . Dianne more rainn wilson whether its a Family Living under the same roof. Jj dynomite james now th
Kramer no there good. Jerry i dont want it. Henry winkler what do you want . You want comedy. Kramer take one jerry no kramer stop it Jason Alexander and boom, there you go, a situation comedy. Sheldon bazinga tim allen this twenty three minutes of magic. Lucy its so tasty, too tracy morgan you fell in love with these characters. Arnold What Chu Talkin about willis . Geri jewell we need to laugh at ourselves. Joey you hide my clothes, im wearing everything you own. Constance wu laughter opens you up. Haley okay ready . Surprise [screaming and chaos] Mara Brock Akil the things that we might be afraid to talk about. Bow some people that were supposed to protect us didnt do the right thing. Tim reid like racism. Son so the cops are the bad guys . Dre yes. Bow no. Kim fields Class Wars Ralph money im a millionaire. Dan levy and gender diversity. Sarah dad . Maura hi girls. Ted danson you can reach in and really touch peoples hearts. Dianne i hate you sam are you as turned on as i am . Dian
- advertising is based on one thing: happiness. - [shouting excitedly] - is there any taboo that you wouldn t break? - not if there was a funny idea. - what is wrong with you? - there s so much different storytelling - and so many different stories being told - about so many different people. - i don t think dramatic series television has ever been stronger. - there s no longer this theory of what - popular entertainment must be. - incoming! - who are the heroes? the people who watch this show. [slowly building orchestral music] - this is the week when the major broadcast networks unveil their fall lineup of shows, and every executive in hollywood knows how well the sopranos is doing on cable, which is a network problem. - i think hbo altered everything for this reason alone, is there were no commercials. - we are dependent on sponsors. there is so much we can do in terms of language, in terms of violence, and in terms of sex. - to a large degree, a lot of executives we
asner: i ll tell you about the golden age of television. this period in time will be looked upon as the platinum age. lear: our obligation is to entertain, and if we ve left something to think about, so much the better. kunta. kunta kinte. television should not be just entertainment. charges were leveled at the commercial television network. congress has no right interfere with the media. well, excuse me! we have a responsibility to give the audience what it tuned in to see. the years of the 60s, which end in a few hours, have a bad reputation that is not entirely justified. some things got worse, obviously, but tv and other news coverage is better, not worse. we simply developed more demanding standards. when i think of tv, i think of the 70s. what is this world coming to? the american public was hungry for more. what was allowed that hadn t been before? it was the last decade where it was a campfire television, where there was one in the living room. i want to watch an al
of work to do and this bench needs to go over there. but we just moved it over here. don t question my authority, thanks! we talk about race and culture in serious ways. that is important. discussing these things in a sitcom, you are not offensive. you are able to take in new ideas. the family was doing something that nobody had ever done. we are talking about having one of the biggest bigots in america and having a black man coming to his house. you see my daughter gloria standing over there and her husband mike? it was electrifying! i was tangling the whole time. he is sitting there going you are watching kind of a master class in reflecting humanity. it was revolutionary in a lot of ways. all in the family change the way we think about society. that s the picture of sammy davis. to archie bunker, the whitest guy i know. you realize that norman lear is taking us into a whole new realm of comedy. my father used to tell my mother, jeanette, it