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100 Worst Comedies of All Time

100 Worst Comedies of All Time By Jacob Osborn, Stacker News On 1/16/21 at 8:00 AM EST The notion that terrible films are often funny for being so inept is certainly applicable in the sci-fi or horror genres. But how can the worst comedies be funny in their failure to be funny? Therein lies the paradox and the reason why bad comedies are usually just plain bad. Nevertheless, it s been said that anything worth doing is worth doing badly comedy is certainly no exception. With this in mind, Stacker compiled IMDb and Metacritic data on all comedy movies with more than 2,500 votes on IMDb and ranked them by Stacker score, an equally weighted index between Metascore and IMDb user rating, with #1 being the worst. Ties were broken by Metascore and further ties were broken by IMDb user rating. If a movie did not have a Metascore, it was not considered.

100 Greatest Movie Songs From 100 Years of Film

100 Greatest Movie Songs From 100 Years of Film By Chris Compendio, Stacker News On 1/16/21 at 11:00 AM EST While visuals are a huge part of what ultimately defines movies, it is the combination of imagery and sound that completes the full cinematic experience. Even before the advent of talking pictures in the late 1920s, musical scores accompanied films in one way or another, whether it was through live accompaniment from a performer or a synchronized gramophone record system. As the film industry became more mainstream and commercialized, the use of popular songs and music generally increased. Now, soundtracks and scores are an integral part of the moviegoing experience. Sometimes, filmmakers and producers are hoping to capture a zeitgeist by tying a film s release to a popular hit. Older songs might be chosen to invoke a certain period of time.

50 Times Actors Hated Their Own Movies

50 Times Actors Hated Their Own Movies By Abby Monteil, Stacker News On 1/14/21 at 6:33 PM EST Actors and actresses have the unique gift of being able to embody characters who exist in a film universe that looks nothing like their own. Sometimes, however, not all creative ventures are pleasant ones, and the finished product isn t always great. Thespians have to conceal their personal distaste for a film they star in, perhaps only admitting their unfavorable opinions about the project in interviews years after its release. The reasons that Hollywood A-listers have detested their own work have varied widely. With G.I. Joe: The Rise of Cobra, Channing Tatum was roped into a studio contract. Mark Wahlberg found the premise of

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