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20 Movies That Require Your Full Attention From Start to Finish
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10 Recent Movies to Try if You Love Classic Cinema
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Sun 25 Apr 2021 03.00 EDT
The indie US film-maker Lawrence Michael Levine deploys Aubrey Plaza as both muse and mouthpiece in this tense dramedy about the ethics of the artistic process. If that sounds tedious, itâs not: Levineâs playful deconstruction of tortured genius is a witty and provocative send-up of tyrannical directors, diva-ish actors and over-invested voyeurs alike.
The film is organised in two acts. The first is a play-like three-hander in which minxy actor turned writer-director Allison (Plaza) embarks on a kind of writerâs retreat in upstate New York. She rents a room in a lakeside cabin owned by Gabe and Blair (Christopher Abbott and Sarah Gadon), a pair of unhappy âcreativesâ whose relationship she mines for material. The second act takes place on the disastrous last day of a film shoot, repurposing the lakeside location but rejigging everyoneâs roles. This time, Gabe is the writer-director, Allison his unhappy wife and the filmâs
When tensions topple into violence,
Black Bear suddenly snaps into a new chapter called “Part Two: The Bear by the Boat House”. Allison remains at the cabin – then the camera pulls out to reveal she’s an actor on a film set. In this dimension, Gabe is a director and Allison’s romantic partner; to psychologically torture Allison, Gabe hints at an affair with her co-star, Blair. Same actors, no explanation; a storytelling trick unlocking the movie-deciphering part of your brain. I ask Plaza for permission to reveal this transformation in the article. “Even if you say what happens, I don’t think people could ever expect what they’re going to see.”
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