An die ferne Geliebte, Op. 98, Schumann’s
Liederkries, Op. 39, and Beethoven’s
Aus Goethes Faust, Op. 75, No. 3. Register and view here until April 18.
8 pm ET: Tippet Rise Art Center presents
Spring Festival. For the first day of Tippet Rise’s Spring Festival, two films have been captured at the DiMenna Center. The first features violinist Katie Hyun founding member of the Amphion String Quartet performing Vytautas Barkauskas’s Partita for violin solo. For the second film, Tippet Rise’s Artistic Advisor Pedja Mužijevic performs in a program titled
Is It Real (A Loving Homage to Surrealism), which includes music and spoken word by Satie, Schwitters, and Antheil. At 7:30 pm ET there will be a “backstage” gathering via Zoom, giving artists the opportunity to discuss their performances, followed by the release of the films. View here.
Rescue, as well as traditional and popular songs. View here for three days.
7:30 pm ET: Met Opera Streams presents Verdi’s
Luisa Miller. Starring Sonya Yoncheva, Olesya Petrova, Piotr Beczala, Plácido Domingo, Alexander Vinogradov, and Dmitry Belosselskiy, conducted by Bertrand de Billy. Production by Elijah Moshinsky. From April 14, 2018. View here and for 24 hours.
8 pm ET: Seattle Opera presents
The Big Opera Show. A journey through Seattle Opera s upcoming season featuring special guests and a performance by tenor, Lawrence Brownlee, who got his start in Seattle Opera’s young artist program.
The Big Opera Show is hosted by actor, director, and emcee Rebecca M. Davis with performers including Kenneth Kellogg and Karen Vuong. No fee to attend but donations made during the event will allow Seattle Opera to keep singing until it is safe to gather again. Register and view here.
Outside Music
Four out of five
A delightfully warm collection of folk songs perfect for an overcast winter day, Maria Dunn’s seventh album is outright springy at times, historically pertinent at others and calmly, sincerely emotional throughout. It releases into the world this Friday.
Besides that confident voice, what I’ve always loved about Dunn is her ability to take us to the realest, least fantastical places across time and space, and her look at humanity from both ends of mortality makes this album especially universal, despite its keen focus on a few Edmonton landmarks, both in event and on our skyline.