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The Best Releases of June: Music Staff Picks
July 5, 2021
Spellling – The Turning Wheel
The Turning Wheel, Chrystia Cabral’s third album under the project Spellling, offers bewitchingly captivating progressive folk and neo-soul songs. A shift towards natural instrumentation marks a stark change from 2019’s synth-heavy
Mazy Fly, giving these songs a new liveliness, and pushing Cabral’s songwriting towards the theatrical. The sonic palette on its own can be bewildering at first–veering off without warning into performances of soul, hard rock, classical, folk, and of course, synthwave. It’s no surprise that the personnel list reveals more than thirty performers–all of whom sound great. The songs are left with an enchanting sense of otherworldliness and magic. The opener, “Little Deer” showcases the album in all its grandeur. Instrumentally expansive but melodically simple, Cabral uses the symbol of a hunted deer to explore ideas of love and shared consciousness ac
Interview
International Pop Underground: SPELLLING’s Grand AOTY-Worthy LP Showcases Widescreen Ambition
When Chrystia Cabral played her first-ever show as SPELLLING, in her hometown of Sacramento, California, she was so gripped by stage-fright that she cut short her set, left the stage, left the venue, and left town. I was so nervous, remembers Cabral. I had five songs to sing, and I could only barely get through one. And then I just left. It was like 11pm, and I think I was supposed to stay in Sacramento, and I m like I have to get as far away from here as possible! And I just drove back to the Bay Area.
SPELLLING THE TURNING WHEEL (Sacred Bones)
It took a pandemic for the Oakland artist Chrystia Cabral, who records under the moniker SPELLLING, to self-produce her most extravagant project to date.
The Turning Wheel is fleshed out by an ensemble of 31 collaborating musicians that utilizes a limitless assortment of vivid acoustic sounds. The release was delayed by almost a year. But maybe that was OK that crinkle gave way to a more affable rendering of such a heavier-than-air creation.
The 12-song double LP is split into two halves; “Above” and “Below.” Baroque textures dominate the former section, and macabre-like gothic tones fill out the latter.
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