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A digital work by an unknown artist just sold for $69 million, but don’t worry, you guys, the world is totally OK. I’m
Carolina A. Miranda, arts and urban design columnist for the Los Angeles Times, with the week’s essential culture news and NSFW NFT takes.
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Stuart Hall who led Los Angeles artist
Todd Gray to rethink the nature of his work. The prolific Jamaican-British theorist, who died in 2014, was noted for his profound examinations of power and the ways in which culture can be deployed to maintain a certain order. In resistance, he noted, there is also power.
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ATHENS, GA
.- Long overshadowed by the rise of abstract expressionism in the 1950s, magic realisms reputation is on the way up again. The Georgia Museum of Art at the University of Georgia is presenting the exhibition Extra Ordinary: Magic, Mystery and Imagination in American Realism from February 27 to June 13, 2021, seeking to reexamine how we define magic realism and expand the canon of artists who worked within this category. The term magic realism was popularized in 1943 during the exhibition American Realists and Magic Realists at the Museum of Modern Art (MoMA), organized by curator Dorothy C. Miller with assistance from museum director Alfred H. Barr Jr. and arts impresario Lincoln Kirstein. The Georgia Museum of Arts exhibition includes works originally presented in MoMAs show, including paintings by Ivan Albright, Paul Cadmus, Z. Vanessa Helder and Patsy Santo, as well as other . More
Wilhelmina Cole Holladay, founder of National Museum of Women in the Arts, dies
Wilhelmina Cole Holladay. Photo: Astrid Riecken for the Washington Post via Getty Images.
WASHINGTON, DC
.- Wilhelmina Cole Holladay, who founded the National Museum of Women in the Arts, the first and only museum solely dedicated to championing women through the arts, died on Saturday, March 6, 2021, at the age of 98 in Washington, D.C.
Against tremendous odds and with dedication, drive and a singular vision, Holladay created a museum to help alleviate the underrepresentation of women artists in museums and galleries worldwide.
For nearly 40 years, Wilhelmina Holladay has been the guiding light of our museum, said Director Susan Fisher Sterling. Mrs. Holladay knew the power of art and the importance of women in art and in the world. Her foresight in recognizing women artists of the past and championing women artists of the present by creating a new museum was visionaryeven revolutionary
Wilhelmina Cole Holladay (then aged 91), the founder of the National Museum of Women in the Arts, poses for a portrait photograph inside the Washington, DC museum Photo: Astrid Riecken For The Washington Post via Getty Images
Wilhelmina Cole Holladay, the founder of Washington, DC’s National Museum of Women in the Arts the only museum in the world dedicated solely to women artists died on Saturday, 6 March, at age 98.
Holladay was born in Elmira, New York, a town about 30 miles south of Ithaca, in 1922. She completed a BA from Elmira College before studying art history at Cornell University and the University of Paris. During the Second World War, Holladay worked in Washington, DC, where she met her husband Wallace F. Holladay, who was an officer in the United States Navy. (He died in 2012.) The two would go on to travel the world seeing art together, eventually amassing the collection that would form the seed for the National Museum of Women in the Arts.
Wilhelmina Cole Holladay, Founder of National Museum of Women in the Arts, Remembered
WASHINGTON, DC
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Wilhelmina Cole Holladay, who founded the National Museum of Women in the Arts (NMWA), the first and only museum solely dedicated to championing women through the arts, died on Saturday, March 6, 2021, at the age of 98 in Washington, D.C.
Against tremendous odds and with dedication, drive and a singular vision, Holladay created a museum to help alleviate the underrepresentation of women artists in museums and galleries worldwide.
“For nearly 40 years, Wilhelmina Holladay has been the guiding light of our museum,” said Director Susan Fisher Sterling. “Mrs. Holladay knew the power of art and the importance of women in art and in the world. Her foresight in recognizing women artists of the past and championing women artists of the present by creating a new museum was visionary even revolutionary for the time. Her actions signaled