that first ladies have played in historic preservation. and to do so, during may, which has been celebrated as national preservation month since 1973. at a national trust, we are in the wrist of our where women made history campaign to highlight and preserve the places where women made important contributions to our country. a key component of this campaign is to highlight the central role that women, including first ladies, have created in the presentation [inaudible] itself. fittingly, the honorary chair of this campaign is former first lady laura bush, who is a great preservation advocate in so many ways, and a trustee emerita of the national trust. today, our panel will primarily discuss the role of three first ladies mrs. kennedy, mrs. johnson, and mrs. nixon, in the preservation of the white house. but i do think it is also important to briefly knowledge a few of their broader contributions to preservation as well. in addition to creating the white house historical as
Masterpieces of art are a window on the past by studying them we encounter long gone eras through the artist sides. One subject in particular has always played a special role in the history of painting childhood. How has it changed the artists view of the child. From john folkways iconic graphic representation of jesus as an infant. To elizabeth vise liberals tender selfportrait with her beloved daughter. From a four lauren gaze of this girl selling flowers on the streets of london. To this image of a child when the painter felix fellow tar affords the freedom of turning its back on the viewer. From vandyke from diego of alaskas to renoir nero and picasso across europe from the middle ages to the Twentieth Century works by western masters reflect the changing status of the child through the ages. In the one nine hundred sixty nine public because so painted a child who appears to be staking his claim to existence overpowering the artist by snatching his brush. Here the child is more tha
At d w stories the two topics each week on instagram. Masterpieces of art are a window on the past by studying them we encounter longarm eras through the artists eyes. One subject in particular has always played a special role in the history of painting childhood. How has it changed the artists view of the child. From john for kays iconic graphic representation of jesus as an infant. To elizabeth vise liberals tender selfportrait towards her beloved daughter. From the four lauren gaze of this girl selling flowers on the streets of london. To this image of a child when the painter felix fell a tall affords the freedom of turning its back on the viewer. From dirty vandyke from diego of alaskas to renoir marrow and picasso across europe from the middle ages to the Twentieth Century works by western masters reflect the changing status of the child through the ages. In the one nine hundred sixty nine public because so painted a child who appears to be staking his claim to existence overpowe
A difference he could forgive you know magazine d w. Masterpieces of art are a window on the past by studying them we encounter long gone eras through the artists eyes. One subject in particular has always played a special role in the history of painting childhood. How is it changed. The artists view of the child. From john for kays iconic graphic representation of jesus as an infant. To elizabeth vise liberals tender selfportrait with her beloved daughter. From the four lauren gaze of this girl selling flowers on the streets of london. To this image of a child in the painter felix fell a tall affords the freedom of turning its back on the viewer. From dirty vandyke from diego of alaskas to renoir hero and picasso across europe from the middle ages to the Twentieth Century works by western masters reflect the changing status of the child through the ages. In the one nine hundred sixty nine public because so painted a child who appears to be staking his claim to existence over powering
Masterpieces of art are a window on the past by studying them we encounter long gone eras through the artists. One subject in particular has always played a special role in the history of painting childhood. How has it changed the artists view of the child. From john for kays iconic graphic representation of jesus as an infant. To elizabeth vision a liberals tender selfportrait towards her beloved daughter. From the four lauren gaze of this girl selling flowers on the streets of london. To this image. The child in the peter felix fellow affords the freedom of turning its back on the viewer. From vandyke of alaskas to renoir and picasso across europe from the middle ages to the Twentieth Century works by western masters reflect the changing status of the child through the ages. In the one nine hundred sixty nine published because so painted a child who appears to be staking his claim to existence overpowering the artist by snatching his brush. Here the child is more than the subject mat