topics: A New Take on Lohengrin; Tanz im August: Exquisite Fusion; All Things Mozart; Young Euro
all those calls have in the name of progress of wanting a comfortable life with all the resources we are destroying with the things that have been given to was the ability to understand and communicate and share with each other and these are things we now have to try and relearn and reformulate because they have stopped functioning. uniform. it's in a monolithic vision in which technology destroys humanity. think about how this is necessary but where we actually heading. post-human is put on in theory but gripping show in fact the entire festival is gripping and occasionally unnerved as it moves beyond physical and artistic about us. next from berlin to by like. are you a wagner fan then. we need to go to the bio light festival to explore his legacy
the rest of all that's goes if you feel it evoked all these images just below zero of the blue that dominates the stage it's been so to look at that sixty. is lohengrin has been a guest in my studio for six years it was not playing all the time to do but it certainly dominated the acoustic airspace and of course it inspired me. it sucked so i suppose in spirit. neil valve is a superstar among german contemporary painters often associated with the new life church school his work sell for a fortune worldwide this is the first time he and his wife have tried to hand just oprah. it's been our first direct hands on experience though of course we've seen many operas here and we listen to wagner in the studio but there we weren't engaging with wagner directly in the paintings it was more of a subtle sub. conscious influence does. or. does.
sometimes will find people in costumes and my pictures of my like you see in this production team and he heard. here. called. there are also allusions to all of the logical motifs. feet all feathers and caps with beaks. and then there's the cosmos of models. put in solitary all. the strange obscure creatures gather in this mysterious fantasy realm. it may well have been a bit confusing for the directed to the american you for sharon who took over the production only after the main features of the staging had been decided on. indeed the fugazi when i first saw the wings in the sketches i thought the society receive
here is not entirely human but position somewhere between man and man as at first station mention when martin is going to be back on that bizarre and interesting to hear research and we decided to leave it open for the audience to interpret and listen off after just to become. and audiences are used to puzzling over the meaning of each new interpretation of wagner's lowing bring it premiered in a scene fifty in time but has seen no fewer than ten productions here in by void since eighty ninety four. there was a symbolist one by guts retreat in one nine hundred seventy nine. twenty years later keith warner's most apocalyptic. the last production five hundred million shares dates from twenty ten. he dressed the chorus up as rats and told the story of no incremental such as an experiment about love and trust in a world devoid of emotion. the premie
a match with lots of blues but the production has since become a bit of a cult. for you for i shall run the opera is about the emancipation of a strong woman in a crude and rude man's world. as i was about to be burnt at the stake wrongly condemned for killing her brother. she help someone will swing by and save. can now be biting hexham yeah it's like a witch hunt. that's psych i gotta mean and this is key because this is cya he has to be transformed because that shaft most overblown and. not truly him that's not an act one i think that perhaps lohengrin is going to be the one to say. not just but society as a whole is a son of a guns because those shaft guns are unfunded right from the start mayo and rosa had
placed an electricity pylon in the middle of the seventeenth century setting their shining dispute my thought was we see here a society that once had electricity or energy and has lost it and i lost it's drive and handed it over to some god. and now is waiting for that energy to return to the world in the very it's a common view of. service none green is now in there like trisha in blue overalls who's going to restore the power supply. this is the forest retreat to the child prepared for the real he took it on at the last moment after roberto alagna backed out but challenged jumped at the opportunity looked at the wagner lever wagner lovers this is mental illness but you can say no i think of this very seriously and give my oh my best this and i
certainly hope we don't have a power for your health. oh i am god on the contrary the parish tennis powerful no lingering electrified the audience and much to his blues you should know him by point. and we have lots more to show you on facebook check it out. it's no secret anymore the young euro classic festival is the place to discover tomorrow stars of the classical scene reporter molina luskin was inspired by all the young musicians meeting up to share their passion. every summer the average age
of musicians and the concert hall suddenly louis it's when the best you from around the world come here to balance resent the scope behind me and the concert halls we wonder what motivates them and do they bring bad ass politics into the orchestra. we meet up with two members of a south african orchestra. or music is a great investment. i have no problem go from fredericksburg in the paper the jews will just keep believing i'm for native who come from cape town and i thank me as. well i think. you know the most beautiful thing about i was just that sort of brings together people that you would never actually be with and. comes
in because you know all of a sudden you you know sitting next to somebody. you know two thousand kayser we have never met. me and she started out offering musical workshops for young people across all ethnic and social boundaries the orchestra emerged out of that and it's now touring europe. and in our present day there are many social differences that we experience because of the past we've had. and now you know moving forward and i find that playing in this orchestra. all of that it goes away because music becomes the most important thing. is celebrating the hundredth birthday of nelson mandela he dreamed of
a society in which all people would have their place regardless of background race or color if you didn't mandela's vision into reality it's literally his vision come true. no orchestra euro as the european union youth orchestra under twenty musicians from twenty eight the new member states unite according to you and make music during a critical time in the year. and i'm french and i'm playing cello. and from the netherlands. i'm forever. and i'm from the netherlands i'm kalen miles i'm from the u.k. and i play the trumpet. sounded in one nine hundred seventy six the e.u.
youth a. history has been a cultural ambassador for the european union for more than four decades but it's facing changes. i think what i wish for europe is that it's keeping its unity how do you feel about the move from london to ferrero because the headquarter is moving that is coming out this is something you talk about in the orchestra as a brit i feel very affected by this us that all of the other musicians in the orchestra from the quay. and not only for us thinking that at some point we were in the next couple years we were able to apply for the orchestra and. many members of the ensemble are studying across europe it is unclear what changes will bring but their music doesn't know borders. thing it's a fact you could learn from a quest for life you can always find a solution even though there are so many people with different opinions how it
should be but there's one boss was for us is the conductor then and people can agree on it's. the european union might be facing lots of problems but the orchestra is doing fine it embodies international cooperation it's musicians are excellent and it attracts great conductors orchestra members often go on to professional careers for many it's a stepping stone to success the young euro classic festival has been held here every year since two thousand it's not a stuffy as some classical music events younger audiences don't feel out of place. jen and brianna saida conducted the orchestra in a performance of chekhov ski's fifth symphony.
do the stars even bother we wanted to find out. that. the mandolin is a small delicate instrument. this man has brought a back to the world stage and is performing at the months art festival israeli virtual so. in a small church inverts book. a regular player the world's greatest orchestras his concert invites bug sells out immediately. the season of summer festival is always a joy because. for several reasons the personal reason of course you get to performing gorgeous places. play could be hands are wonderful whether i think the audience is a big difference the audience the comfort summer festivals everything and atmosphere is a bit more lunacy to be you know that the audience comes through really experience
something that is festive very special that is out of the ordinary. since one thousand twenty two the mozart festival has been drawing classical music fans diverts burge every summer. the name volved going on today as mozart always draws in a crowd the concert venues and historic sites are a popular attraction even without the music. there are over three hundred festivals like this in germany when the season is over for a concert in opera houses the summer festival bandwagon gets rolling. as a key source of revenue for many musicians and provides welcome publicity. facing such competition the organizers of the festivals have a major challenge in hiring big names no easy task. to alicia i don't see additional mark of course the festival market is very dense
it's some fast of its run at the same time and the number of people who go to classical festivals is relatively limited as here of course we have this impressive imperial hall at the cheapest frescoes and the budget has a neumann architecture and. they're all gyms which attract an audience but we still have to fill the venue is a dismissing if. it's a struggle to attract both stars and visitors the mozart's festival is trying to build up a loyal audience. in twenty fourteen new vision and was the so-called artists a twelve the star artist of the festival. as a clarinet player composer and conductor he was involved in creating the program this year he's here with the irish chamber orchestra one strategy of the mozart festival is that musicians meet up here build networks and then come back you.
know would perform. third of all what role for the man but in the next five and. even some experts are not familiar with mozart's compositions for the mandolin. when they got this invitation from the motes of fest so we're thinking how can we can make a connection with mozart ten and that was the link i mean those through little pieces. that are very rarely played because obviously when i make concerts even with voice it's not never it's never the right setting for to present this through
a little like candies to little pieces by mozart and so the result is that it's very rarely performed around the world so it was i thought it was a great opportunity. a relaxed audience a little stars who are not afraid to attempt something. unusual that's the great attraction of the summer festivals. it's clearly a successful business idea to so win win situation all around. and that was it well almost we've got one more for you and this one's got energy to say the least how about bucket instead of books the small village in northern germany with a population of about two thousand turns into a heavy metal paradise once a year it's the biggest one of its kind worldwide
a mecca for metal heads banging at buck in open air if you've had enough of high culture then this is for you eighty five thousand metal and hard rock disciples and a week of music partying and beer. in might have a reputation for being the muddiest festival worldwide but this time it was anything goes to keep cool. see you next time on art's twenty one.
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