Share Oyin Adejobi, late Yoruba cripple thespian renowned for his famous African alternative dispute resolution drama sketches called Kootu Asipa of the 1980s, once allegorized the story of how he became disabled. In Orogun Adedigba, (the wicked co-wife) an autobiographical movie, Adejobi narrativized how his mother’s jealously wicked co-wife puffed up the fire of a destructive potion that immobilized him for life. Iconoclastic Yoruba Kennery brand music lord, Orlando Owo’s Itan Orogun Meji track (the story of two co-wives) also explains the concept of a polygamous home’s squabbles. Two co-wives in polygamy, in a traditional African Yoruba home, were engaged in spirited scuffles for the heart of their joint household. One day, the eldest wife conspired to kill the son of her co-wife, simply because he was more brilliant than hers. She cooked a portage delicacy served in two different plates. One, which was invitingly reddish and garnished with condiments, was sauced with a killer potion while the second plate, bereft of any poison, was whitish and uninviting. As the children of the two women arrived from school, they headed for the plates of food. While the son of the woman who hewn the death drama picked the reddish but poisoned plate, her stepson picked the one without. The malefactor’s son dies but the co-wife’s immediately went to the local football field and went a-playing football.