Transcripts For CNN Reframed Marilyn Monroe 20240708 : compa

Transcripts For CNN Reframed Marilyn Monroe 20240708



life as tragedy. and in particular the last few years. as being the inevitable fall of the great star. that wasn't true. >> can we start again? >> she had agency. she was hungry for more creative challenges. >> she had a lot of strength. along with her vulnerability. >> she stood up to the old hollywood guard. she said i'm not going take it anymore. >> up until the day she died, she was a fighter. of course her early death is a tragedy. that doesn't over write everything she achieved up until that time. >> she became the biggest movie star in the world. and she remains one of the most famous and instantly recognizable women in history. >> excited fans gather on a san diego beach. to watch marilyn monroe shoot her first film. in two years. >> directs her in some like it hot. which is arguably her greatest role. it's incredible what she does in that. >> the role of sugar cane is very much an type of a dumb blond. on paper. >> i come from a musical family. >> where did your father conduct? >> in ohio. >> this woman is so dumb. she doesn't everyone realize her best friends are men in drag. >> marilyn transforms this very two dimensional dumb blond character into a three dimensional woman. >> they're borrowing money and betting on horses. >> marilyn was able to make her character so relatable. even though they were sort of -- you could identify with them. >> but this time in her career, she was always making suggestions and she suggested that there be a blast of steam. as she came out on the train station. >> the fact she asks wilder to kind of shoot steam at her. as he did. and in the seven year itch. is interesting. it shows she has a self-awareness of her image. and how to play with it. the last thing you will ever hear is the idea marilyn contributed to the comedic genius of billy wilder. >> she's never given credit for being deliberate ri funny. >> billy wilder was not the easiest of directors. he just wanted the actors to do what he wanted them to do. marilyn was a perfectionist. she wanted many takes. and would ruin a takement if she didn't like what had been done. >> her style of acting didn't go well with the highly efficient time driven, money driven studio system. and wilder famously said it was hell. he said it was hell. >> this is not cheap even in those days. the shooting. it's like $20,000. you just say my god who is going to have a nervous break down. me. >> i cannot help but think about the ways that men are allowed to have a lot of lee way in ways women aren't. >> the way we talk about this male actor is passionate. a method actor. this actress is a crazy bitch. who is difficult onset. i have heard that time and time again. that'sth language used. it's gendered. >> as ever the story is more complicated than the versions we get. and when she was happy with the way that the scene was being interpreted and felt she was being listened to, she was delivering scenes with perfect comic timing. >> if you are interested in whether i'm married or not. >> i'm not interested at all. >> i'm not. >> that's very interesting. >> when i knew i had to final shot, it was a moment of never again. all i can tell you is if marilyn was around today i would be on my knees. please do it again. >> despite the problems onset, some like it hot is a huge hit. for the studio. >> people really responded to it. some people think it's the greatest comedy of all time. and if ever she was full of life in a film and seemed completely at ease in her skin, it's this one. >> but for marilyn, the film success comes at a time of personal tragedy. ♪ i want to be loved by you ♪ >> it turned out she was pregnant. during filming. the people onset didn't know. she miscarried after the film wrapped. >> a few years earlier she suffered atopic pregnancy. once again her dreams of mother hood were dashed. ♪ ♪ >> so when she saw herself on screen. thinking back to finding out she was pregnant. and all of those things. it must have been extremely hurtful for her. >> marilyn had to suffer that pain in the public eye. she had newspapers and journalists gossiping about it. to be reading about her miscarriage and her difficulties. it must have been very trying for her. >> the is astounding. there was a sense she was failure because she couldn't have children. this is a story that is all too familiar to women everywhere. >> but marilyn forges ahead. she is set to star in a major hollywood film. written by her husband. arthur miller. the misfits had been conceived as arthur millers valentine. to marilyn. this gift of love. from her genius play write husband. and finally she thought somebody was going to write her the role she had been waiting for. we're a different kind of dentistry. one who believes in doing anything it takes to make dentistry work for your life. so we offer a complete exam and x-rays free to new patients without insurance - everyday. plus, patients get 20% off their treatment plan. we're on your corner and in your corner every step of the way. because your anything is our everything. aspen dental. anything to make you smile. book today at aspendental.com, walk in, or call 1-800-aspendental. ♪ it wasn't me by shaggy ♪ you're never responsible for unauthorized purchases on your discover card. after 40, we need anti-aging care that works. revitalift night serum with pure retinol from l'oreal. in a clinical test 100% of women showed reduction of wrinkles. even deep wrinkles. revitalift night serum with pure retinol from l'oreal paris. look! oh my god... oh wow. i want my daughter riley to know about her ancestors and how important it is to know who you are and to know where you came from. doesn't that look like your papa? that's your great grandfather. it's like opening a whole 'nother world that we did not know existed. you finally have a face to a name. we're discovering together... it's been an amazing gift. marilyn and arthur arrive to begin filming the misfits. the misfits is written by her husband. arthur miller. it's supposed to be able to really show off how far she's come. >> i came to work on the misfits. and i was delighted to meet arthur miller. i admired his work. and the cast were a star cast. and marilyn seemed sweet. and friendly with all the rest of the cast. >> meet a friend of mine. >> clark gable. he was one of her idols when she was a child. liked to imagine she was her father. she didn't know who her father was. so why not clark gable. >> the story is of gone to nevada for a divorce. >> never had anybody. here i am. >> the film was inspired when he was there getting his divorce. to marry marilyn. >> he called the character to make clear it is her. and sees marilyn in this way. >> to rough for you? >> the charts had changed. the relationship. >> he's doing rewrites on the set. she hugely resented the way she characterized the character. seemed to change from being a celebration of everything that he loved about her. to a parody. that showed the contempt he started to form for his wife. >> we're all dying aren't we. all the husbands and wives. >> she's not very bright. she's just a kind of body. who runs around. hugging trees and hugging men. >> it's more than a professional disappointment. it's a personal one. she doesn't feel seen or understood by her husband. the person supposed to know her best. >> i want to show you. i changed a few things. >> there's a scene there's a locker room door open and it has pictures from early in her career. and what the script makes marilyn do is shut the door on the pictures. >> how do you like it? don't look at those. it's a joke. >> her husband has her saying she's a joke. >> let's have lots of drinks. >> when everything that she had been fighting for was specifically to be taken seriously. >> marilyn becomes frustrated with this role. her addiction to pills and alcohol. it's becoming a problem on the set. >> she was always on the sleeping pills at night. i don't know what the pills were to wake up. and it was getting worse and worse. >> everyone making the movie falls into two camps when around marilyn. one around arthur. eventually he moves out of her suite to another suite. >> the first time i think i knew the relationship with marilyn and arthur was difficult was when arthur said to me one day, can i come in the car with you and john? and going home can i come back in the car. i thought well, they come at different times. true. but it was every day. >> miller seems to have been mining their lives together for a loft material. and some of the characters are speaking for him. >> she's crazy. they're all crazy. try not to believe it. because you need them. >> talking about women as them and men as you. >> struggle. you build. you try. you turn yourself inside out for them. but it's never enough. >> she said to think arthur did this to me. that the point the major became irretrievably over. >> she'd experienced these miscarriages during her marriage to arthur. and now her third marriage had ended. in divorce. and it was a very bleak period. >> after the divorce, she has a very bad nervous break down. her psychiatrist felt that she needed to be put in the hospital. to be revitalized. and taken off drugs. >> so marilyn voluntarily went to the hospital thinking that she was getting some therapy. and some care. >> imagine being in the early 60s, you are a woman. one of the most famous and recognizable people on the planet. >> i think her decision to ask for help shows a tremendous strength in self-awareness within her. the problem of course is sometimes the help you get is not the hoelp you need. >> she checks in. and she was basically locked in to a violent psychiatric ward. she was constrained against her will for three days. treated as a violent patient. >> she's locked in to a room. and she yells and screams. >> it was such a heros experience for her. she was so isolated. so alone. >> all of that was compounded by her very real fear that her mother's mental illness was inheritable and she might have it as well. >> this made it seem like her worst nightmare was coming true. and she would do anything to get out. >> early in her career she had played a psychotic babysitter of all things. when the episode happened, it took her back to that performance. >> she said she actually put on a show for them. >> you don't want to do that. >> how do you know my name. >> she thought of the scene she filmed for don't bother to knock. she had got a piece of glass. and threatened to harm herself. >> give it to me. >> they expected her to be crazy. she acted crazy. so that she could get their attention and get them to listen to her. >> you're goin to the hospital now. here in new york. we'll help you. >> eventually she gets into a hospital that had a drug withdrawal clinic. >> after three weeks there, marilyn leaves. marilyn was the fighter. she fell and got up again. and she kept dusting herself off and starting over again. get 2.49% apr financing on the 2022 gx 460. ♪ ♪ ♪ at lowe's, you never have to be finished with your finishing touches. with aisles of ways to refresh and restyle. for whatever style you're feeling. at prices you're really feelin. shop the lowe's bath style & save event now in-store and online. 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[sound of heartbeat on ultrasound] ♪ marilyn really wanted to settle down and plant roots. she set out and found this home. in brent wood. this was like a new beginning for her. it was a fresh start. it was a modest home for a movie star. and it had an inscription on the floor of the entrance that said this is my journey's end. >> it's very unusual. even at that point for a woman herself to buy a home alone. she is really showing a good deal of independence by buying that home. >> it's been over a year since marilyn wrapped her last film. when fox calls her back to set. >> marilyn monroe owed them a movie. she signed up to be the lead in a comedy called something's got to give. >> this is her first mature role. and marilyn is playing someone who has responsibility for someone else. she's a mother. >> come here. >> why? >> i want to hug you. >> you do see a maternal aspect. completely unexpected. >> it naturally brings a certain softness. you can't help but wonder what could have been. i'm sure i'm not the only person to have thought that while watching the scenes. >> going into the movie she wasn't in the best of health. at all. she had colds and sinus and dependent on prescribed medication. >> marilyn was at a really intriguing turning point. she is still hungry for more creative fulfillment. but she's also struggling with mental health issues that make it very difficult for her to show up on time. >> the studio doctor had wanted the film production to be delayed a bit. but 20th century fox going through big problems at the time with their own finances. they just wanted it over and done with. >> the special event of the year. a first in television history. >> during the 1960s, the film studios were really competing with the rise in popularity of television. and one way to get people into the movie theater was to produce these huge big budget epics. with incredible costume and so much luxury. you had to see it on the big screen possible. and by the time that something's got to give was being made they were working on one of the biggest productions ever. which was starring elizabeth taylor. >> marilyn and taylor has been set up as rivals 6789 she was getting paid ten times what marilyn monroe was getting paid. >> it's a disaster shoot. she's sick. they have to tear down a bunch of very expensive sets and rebuild them in rome. >> i feel a little weak. thank you. >> as a result they had to shut down all production except for that and something's got to give. and the financial well being of the studio was effectively on marilyn's shoulders. >> are you going to stay long? >> i don't know yet. would you like me to? >> in the middle of production, marilyn takes off. to new york. >> she had a date with the president. he was having a big birthday party. >> the president is winding up his new york day here at madison square garden. a prebirthday celebration. >> a lot of very famous performers were singing. and dancing. she asked permission from the studio to go off. but because of the production delays the studio said she couldn't go. >> she was furious. in her view, a star of her stature had the right to say she was going to do this for a couple days and they had to deal with it. >> marilyn has spent weeks rehearsing for the event. >> it was a really big deal. and she prepared so much for that brief performance. >> marilyn had an association with president kennedy. and links together politics and hollywood. and the presidency was very much a hollywood presidency. >> on this occasion of your birthday. this lovelily day is not only -- >> i think the whole world knew there was a relationship between marilyn monroe and president of the united states. it was show business. and it was secretive. >> mr. president, marilyn monroe. >> and that night, the whole madison square garden sat there in awe. waiting for this princess of the motion picture industry. and a president. my foundation doesn't settle... and neither do i. age perfect 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my god. >> i was honored when they asked me to appear at madison square garden. i was a little worried about my voice. it came out. still i didn't know this tune. i can't forget the words. happy birthday. it's always been happy birthday. ♪ ♪ happy birthday to you ♪ ♪ happy birthday mr. president ♪ >> it's very erotic. and the incredibly powerful over sexuality in the early 1960s. would be seen by a many many people as being utterly inappropriate. truly inappropriate. >> that song is very deliberately a performance. marilyn performing marilyn. i definitely think marilyn was trying to send a message. to the powers that be at 20th century fox. her performance was a way of highlighting her own power. in a way that says i don't need you. you guys need me. >> ladies and gentlemen, the president of the united states. >> when she sang happy birthday, i remember watching that. and being very amused by it. i think she was playing with him. but it was certainly brave. >> i can now retire from politics after having had happy birthday sung to me in such a sweet wholesome way. >> the standard take on the after math is that jfk was publicly embarrassed. and he dumped her. the story continues. she was heartbroken. calling him every five seconds. and falling apart. but her friends at the time said that she absolutely wasn't. she wasn't in love with him. and she wasn't fore lorn. but we insist on seeing marilyn as a passive victim of the men around her. nobody can seem to imagine a different version of the story. that she was a 36 year-old woman who clearly had a very pragmatic attitude to sex. and she could be getting a kick out of sleeping with the most powerful man in the world. but marilyn's trip spells disaster. for her relationship with fox. the studio files a breech of contract. against her. >> i think there's a sense that going to madison square garden was her resting too much control from the studio. instead of sitting back and doing what she was told. >> what happens after is just the sign of the industry's inability to handle a good thing when they have it. >> back in l.a., marilyn has devised plan to remind the studio of who they are dealing with. >> she enlists the help of photographer lawrence charlottesviller. i went to her home. we started to go through the script. there's a scene she's in a swimming pool. and dean martin is looking at her from the balcony. and marilyn said splish splash. this would make interesting pictures. there's no question about it. she says, what would happen if i jump in the swimming pool with many bathes suit on. nude color. but came out with nothing on. >> she wanted those pictures as publicity to show 20th century fox that she was as popular as liz taylor. in the cover of every magazine in the world. >> i had two cameras around my neck. maybe three. she said in between each of the takes, i'll do the posing. because marilyn would look at where my camera was. look at light. and turn her body. she knew exactly what to do. >> a super-star, being on a fillle set and stripping down and being naked at that stature, at that level. highly unusual. it's beyond totelation. it's push the envelope. well, would you look at that? jerry, you gotta see this. seen it. trust me, after 15 walks... gets a little old. i really should be retired by now. wish i'd invested when i had the chance... to the moon! ugh. unbelievable. ordinary tissues burn when theo blows. so puffs plus lotion rescued his nose. with up to 50% more lotion, puffs bring soothing relief. a nose in need deserves puffs indeed. america's #1 lotion tissue. ♪ ♪ ♪ "how bizarre" by omc ♪ no annual fee on any discover card. ♪ ♪ ♪ ♪ at lowe's, you never have to be finished with your finishing touches. with aisles of ways to refresh and restyle. for whatever style you're feeling. at prices you're really feelin. shop the lowe's bath style & save event now in-store and online. marilyn had a approval of my photographs. so she says come on up to the house. she knew more about photograph ri than photographers who photographed her. just as i'm driving in she's about to drive out in a convertible. she says hop in. and hands me a bottle of alcohol. i popped the cork. she takes it. full bottle. like that. let me see the pictures. she takes the pictures and is holding them up to the street lights. >> then she takes out a pair of painting sheers and says -- my heart drops. she looks at more. zip. cuts right through the image. all the pieces she's cutting are going on the floor of the car. i'm grabbing them. putting them back. then i'm looking over and i'm saying, she's pretty good editing. that's how marilyn monroe ed mitt itted my color pictures. three survived. looking at a street light. >> i was afraid you'd misunderstand about that. >> on the set of something's got to give. marilyn's relationship with the studio goes from bad to worse. >> can we start again? >> they say she's uncooperative and caused costly delays and tried to dismiss her as a tempermental star. who over played her hand. >> all you can think about is the way i behave. with this poor little -- okay. >> poor little fly. >> the studio was looking at what is happening on the set. >> sorry, george. we can do it. >> they're saying we're not going to make it here. >> that was good. >> we are going to lose money and they pulled the plug. they just pulled the plug. >> the studio fired her. they made marilyn take the fall. instead of saying we can't afford to keep it going. it's because she's a mess and the footage is unusual and you can't work with her. nobody can work with her again. and that's it. >> it's shocking. they would let her go. marilyn was the biggest star at the time. even if they didn't want to admit that. >> two weeks after she's fired, the sensational photographs of marilyn hit the newsstands. >> the public reaction was just overwhelming. i call her on the phone and say they're running a cover in six pages. every time i get on the phone, her voice would go up another octave. she was achieving what she wanted to achieve. worldwide notoriety. her weapon was her body. her weapon was this incredible face. her weapon was to knock liz taylor and everybody else off the cover. >> it's absolutely stunning that she pulled off what she did. really being smarter than the managers she had. she really knew what she needed to do better than other people did. >> come on. have a little. >> that summer marilyn invites life magazine journalist and photographer allen grant. to her home for an exclusive interview. >> i think richard and interview is her chance to control the narrative. and appeal to her fans. who had been loyal to her. >> the way the industry treats stars. the things they said about me. they had never lost sight. discipline. or to be disciplined. >> she talks about herself. being really under mined by hollywood. and badly treated by hollywood. >> if you have a cold, how dare you have a cold. executives can't get colds. stay home forever. how dare you get a cold. >> there's a extraordinary moment where he says somewhat faultlessly. how do you crank yourself up for a performance. and it really clearly strikes a nerve. >> i don't crank anything. i'm not a model t. i don't crank. i don't know. i think that's disrespectful to refer it that way. we're not machines. no matter how much they want to say we are. we are not. >> she was so bold. she was so honest. and that was really an act of bravery. to say i'm a human being. with integrity and artistry. and i must insist that to you. >> as the interview draws to a close, marilyn makes a final request. >> i hope we got something here. please don't make me look like a joke. >> it's just so sad. after all those years of being this leading lady. this major force in american cinema. she has to beg a journalist not to make her look like a joke. >> a few days later, she's called to a meeting at 20th century fox. >> films always cost more than i expect. >> after a six year absence, daryl is returning as the studio president. >> he takes one look and says you guys are crazy. marilyn will make you money. he reinstates her. >> it's ironic that someone who was so opposed to her career at the beginning now really saw what kind of a gold mine he had. in marilyn monroe. >> when fox rehired her, she showed them who was in charge. she had finally forced them to accept her value. they rehired her as a million dollar contract. and that contract has to have meant more to her professionally than any other victory she achieved. >> she had been vindicated. she made them eat their words. >> she was at the top of her game. she was at the height of her success. and all of a sudden, a curtain came down. it's like wait a minute. the movie is not over. the movie is not over. i wanted to help protect myself. my doctor recommended eliquis. eliquis is proven to treat and help prevent another dvt or pe blood clot. almost 98 percent of patients on eliquis didn't experience 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xfinitymobile.com/mysavings or visit an xfinity store to learn how our switch squad makes it easy to switch and save hundreds. i had a dream about marilyn, and she was in terrible pain. and i woke up and i said to milton, you better go to beverly hills. he said, what are you crazy? i'm packing up to go to paris. but she was a good friend. i said, listen to me, i dream about something and it happens. always, my whole life. she needs you. she doesn't have anybody. he said, okay, i'll call. he called. he said to her, amy had a dream and she laughed, ha-ha. and they spoke on the phone for three hours. he was going to fly to beverly hills, fine. and she died. >> about 5:30 in the morning, i get a phone call. marilyn died last night. i said, don't give me that. hung up the phone. i've seen marilyn just hours earlier. >> she was found dead early this morning, an empty bottle on her bedside table. then i turned on the radio, there it was on the news. and i went to the house. there was a couple police officers there, a few reporters. only one or two photographers. the word hadn't gotten out yet. i had a camera with me, but i didn't know what to photograph. you photograph somebody alive, and now they're dead. >> it appears to be one of nature's strange turns, young women, the world at their feet, often feel unloved, inadequate. >> i can remember the headlines. this was massive, marilyn is dead. and i remember they showed the bed they found her in. >> after she died, there was this kind of glamorizing of her dead body and the sexualization of her corpse to a really extreme degree. >> she was face-down, covered only bare sheet, her hand on the phone. >> it's like this woman was never allowed to just be a human being. she had to be an object of desire for everyone and everything, even in death. >> a simple chapel saw only 23 of marilyn monroe's closest friends and acquaintances inside. >> there's this sort of performative memorial that happens, in which everyone is then so sad and how could it have happened? and yet no one in our culture is able to look inward and say, oh, i was part of the problem. >> the official cause of death is barbituate overdose. >> we thought she was murdered. everybody thought she was murdered. everybody. all kinds of conspiracy theory came out. >> this is the '60s, we don't believe it because we don't believe what they tell us. >> it was a mistake. nobody -- i mean, don't go there. nobody -- the cubans weren't there. the kennedys weren't there. everybody that was supposed to kill her didn't happen. it was a mistake. she took the damn sleeping pills. she forgot she took them so they took more. that's how it happens. ♪ >> a month before her death, marilyn met her friend, photographer george barris, for a photo shoot. >> they're very beautiful. i love these. >> these pictures reflect the old marilyn, someone you could talk to, someone who is accessible. it's like you're seeing her soul in a way. she's just looking right at the camera and, you know, it's like she's looking at you. >> marilyn monroe, the person, is gone. the image is not gone and it will never be gone. her legacy is defined more by the images we see of her, by her career, than anything else, despite the tragedies of her life. she's up there as fresh and new and wonderful as she ever was. >> marilyn monroe is a mirror for people's ideas about women's sexuality and women's power, about whether beautiful women can be intelligent, whether women have agency in their own careers. how are they to be treated as equals? how are they to be respected? those are questions that most women, if not all women, are still struggling with. and marilyn monroe is the symbol of all of that. >> if she were alive today, i think she would have been on the front lines with a lot of activists and organizers, and she would have become a very big voice in the me too movement. >> she was so limited by the public's gaze of who she really was and what she was capable of, but she broke all of these barriers. she became the biggest actress in the world, and the biggest cultural icon of the 20th century. i mean, she really was truly extraordinary. >> with the sun setting and one shot of film left in the camera, marilyn turns to george. this is for you. >> you do miss sometimes just being able to be completely yourself and someplace and people just know you as another human being. . hello and we will come to our viewers joining us here in the united states and all around the world. you are watching "cnn newsroom." just ahead, the u.s. state department reduces staff in kyiv as russian troops increase their military presence near ukraine. what can be done to prevent a new war in the region? thousands of anti-vax, anti-mask with pte

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Transcripts For CNN Reframed Marilyn Monroe 20240708 : Comparemela.com

Transcripts For CNN Reframed Marilyn Monroe 20240708

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life as tragedy. and in particular the last few years. as being the inevitable fall of the great star. that wasn't true. >> can we start again? >> she had agency. she was hungry for more creative challenges. >> she had a lot of strength. along with her vulnerability. >> she stood up to the old hollywood guard. she said i'm not going take it anymore. >> up until the day she died, she was a fighter. of course her early death is a tragedy. that doesn't over write everything she achieved up until that time. >> she became the biggest movie star in the world. and she remains one of the most famous and instantly recognizable women in history. >> excited fans gather on a san diego beach. to watch marilyn monroe shoot her first film. in two years. >> directs her in some like it hot. which is arguably her greatest role. it's incredible what she does in that. >> the role of sugar cane is very much an type of a dumb blond. on paper. >> i come from a musical family. >> where did your father conduct? >> in ohio. >> this woman is so dumb. she doesn't everyone realize her best friends are men in drag. >> marilyn transforms this very two dimensional dumb blond character into a three dimensional woman. >> they're borrowing money and betting on horses. >> marilyn was able to make her character so relatable. even though they were sort of -- you could identify with them. >> but this time in her career, she was always making suggestions and she suggested that there be a blast of steam. as she came out on the train station. >> the fact she asks wilder to kind of shoot steam at her. as he did. and in the seven year itch. is interesting. it shows she has a self-awareness of her image. and how to play with it. the last thing you will ever hear is the idea marilyn contributed to the comedic genius of billy wilder. >> she's never given credit for being deliberate ri funny. >> billy wilder was not the easiest of directors. he just wanted the actors to do what he wanted them to do. marilyn was a perfectionist. she wanted many takes. and would ruin a takement if she didn't like what had been done. >> her style of acting didn't go well with the highly efficient time driven, money driven studio system. and wilder famously said it was hell. he said it was hell. >> this is not cheap even in those days. the shooting. it's like $20,000. you just say my god who is going to have a nervous break down. me. >> i cannot help but think about the ways that men are allowed to have a lot of lee way in ways women aren't. >> the way we talk about this male actor is passionate. a method actor. this actress is a crazy bitch. who is difficult onset. i have heard that time and time again. that'sth language used. it's gendered. >> as ever the story is more complicated than the versions we get. and when she was happy with the way that the scene was being interpreted and felt she was being listened to, she was delivering scenes with perfect comic timing. >> if you are interested in whether i'm married or not. >> i'm not interested at all. >> i'm not. >> that's very interesting. >> when i knew i had to final shot, it was a moment of never again. all i can tell you is if marilyn was around today i would be on my knees. please do it again. >> despite the problems onset, some like it hot is a huge hit. for the studio. >> people really responded to it. some people think it's the greatest comedy of all time. and if ever she was full of life in a film and seemed completely at ease in her skin, it's this one. >> but for marilyn, the film success comes at a time of personal tragedy. ♪ i want to be loved by you ♪ >> it turned out she was pregnant. during filming. the people onset didn't know. she miscarried after the film wrapped. >> a few years earlier she suffered atopic pregnancy. once again her dreams of mother hood were dashed. ♪ ♪ >> so when she saw herself on screen. thinking back to finding out she was pregnant. and all of those things. it must have been extremely hurtful for her. >> marilyn had to suffer that pain in the public eye. she had newspapers and journalists gossiping about it. to be reading about her miscarriage and her difficulties. it must have been very trying for her. >> the is astounding. there was a sense she was failure because she couldn't have children. this is a story that is all too familiar to women everywhere. >> but marilyn forges ahead. she is set to star in a major hollywood film. written by her husband. arthur miller. the misfits had been conceived as arthur millers valentine. to marilyn. this gift of love. from her genius play write husband. and finally she thought somebody was going to write her the role she had been waiting for. we're a different kind of dentistry. one who believes in doing anything it takes to make dentistry work for your life. so we offer a complete exam and x-rays free to new patients without insurance - everyday. plus, patients get 20% off their treatment plan. we're on your corner and in your corner every step of the way. because your anything is our everything. aspen dental. anything to make you smile. book today at aspendental.com, walk in, or call 1-800-aspendental. ♪ it wasn't me by shaggy ♪ you're never responsible for unauthorized purchases on your discover card. after 40, we need anti-aging care that works. revitalift night serum with pure retinol from l'oreal. in a clinical test 100% of women showed reduction of wrinkles. even deep wrinkles. revitalift night serum with pure retinol from l'oreal paris. look! oh my god... oh wow. i want my daughter riley to know about her ancestors and how important it is to know who you are and to know where you came from. doesn't that look like your papa? that's your great grandfather. it's like opening a whole 'nother world that we did not know existed. you finally have a face to a name. we're discovering together... it's been an amazing gift. marilyn and arthur arrive to begin filming the misfits. the misfits is written by her husband. arthur miller. it's supposed to be able to really show off how far she's come. >> i came to work on the misfits. and i was delighted to meet arthur miller. i admired his work. and the cast were a star cast. and marilyn seemed sweet. and friendly with all the rest of the cast. >> meet a friend of mine. >> clark gable. he was one of her idols when she was a child. liked to imagine she was her father. she didn't know who her father was. so why not clark gable. >> the story is of gone to nevada for a divorce. >> never had anybody. here i am. >> the film was inspired when he was there getting his divorce. to marry marilyn. >> he called the character to make clear it is her. and sees marilyn in this way. >> to rough for you? >> the charts had changed. the relationship. >> he's doing rewrites on the set. she hugely resented the way she characterized the character. seemed to change from being a celebration of everything that he loved about her. to a parody. that showed the contempt he started to form for his wife. >> we're all dying aren't we. all the husbands and wives. >> she's not very bright. she's just a kind of body. who runs around. hugging trees and hugging men. >> it's more than a professional disappointment. it's a personal one. she doesn't feel seen or understood by her husband. the person supposed to know her best. >> i want to show you. i changed a few things. >> there's a scene there's a locker room door open and it has pictures from early in her career. and what the script makes marilyn do is shut the door on the pictures. >> how do you like it? don't look at those. it's a joke. >> her husband has her saying she's a joke. >> let's have lots of drinks. >> when everything that she had been fighting for was specifically to be taken seriously. >> marilyn becomes frustrated with this role. her addiction to pills and alcohol. it's becoming a problem on the set. >> she was always on the sleeping pills at night. i don't know what the pills were to wake up. and it was getting worse and worse. >> everyone making the movie falls into two camps when around marilyn. one around arthur. eventually he moves out of her suite to another suite. >> the first time i think i knew the relationship with marilyn and arthur was difficult was when arthur said to me one day, can i come in the car with you and john? and going home can i come back in the car. i thought well, they come at different times. true. but it was every day. >> miller seems to have been mining their lives together for a loft material. and some of the characters are speaking for him. >> she's crazy. they're all crazy. try not to believe it. because you need them. >> talking about women as them and men as you. >> struggle. you build. you try. you turn yourself inside out for them. but it's never enough. >> she said to think arthur did this to me. that the point the major became irretrievably over. >> she'd experienced these miscarriages during her marriage to arthur. and now her third marriage had ended. in divorce. and it was a very bleak period. >> after the divorce, she has a very bad nervous break down. her psychiatrist felt that she needed to be put in the hospital. to be revitalized. and taken off drugs. >> so marilyn voluntarily went to the hospital thinking that she was getting some therapy. and some care. >> imagine being in the early 60s, you are a woman. one of the most famous and recognizable people on the planet. >> i think her decision to ask for help shows a tremendous strength in self-awareness within her. the problem of course is sometimes the help you get is not the hoelp you need. >> she checks in. and she was basically locked in to a violent psychiatric ward. she was constrained against her will for three days. treated as a violent patient. >> she's locked in to a room. and she yells and screams. >> it was such a heros experience for her. she was so isolated. so alone. >> all of that was compounded by her very real fear that her mother's mental illness was inheritable and she might have it as well. >> this made it seem like her worst nightmare was coming true. and she would do anything to get out. >> early in her career she had played a psychotic babysitter of all things. when the episode happened, it took her back to that performance. >> she said she actually put on a show for them. >> you don't want to do that. >> how do you know my name. >> she thought of the scene she filmed for don't bother to knock. she had got a piece of glass. and threatened to harm herself. >> give it to me. >> they expected her to be crazy. she acted crazy. so that she could get their attention and get them to listen to her. >> you're goin to the hospital now. here in new york. we'll help you. >> eventually she gets into a hospital that had a drug withdrawal clinic. >> after three weeks there, marilyn leaves. marilyn was the fighter. she fell and got up again. and she kept dusting herself off and starting over again. get 2.49% apr financing on the 2022 gx 460. ♪ ♪ ♪ at lowe's, you never have to be finished with your finishing touches. with aisles of ways to refresh and restyle. for whatever style you're feeling. at prices you're really feelin. shop the lowe's bath style & save event now in-store and online. (vo) this year, t-mobile for business is here to help you hit the ground running. when you switch to t-mobile and bring your own device, we'll pay off your phone up to $800. you can keep your phone. keep your number. and get your employees connected on the largest and fastest 5g network. plus, we give you $200 in facebook ads on us! so you can reach more customers, create more opportunities, and make this the best year for your business yet. visit your local t-mobile store today. [vocalizing] [sound of dental machine] open here you go buddy. thank you. ah, thank you. have a good one. you too. [singing] happy birthday you may kiss the bride. [cheering and clapping] [cheering] ♪ good job. we love you, mom. we love you, dad. [sound of ocean] oh my god. that's our baby girl. [sound of heartbeat on ultrasound] ♪ marilyn really wanted to settle down and plant roots. she set out and found this home. in brent wood. this was like a new beginning for her. it was a fresh start. it was a modest home for a movie star. and it had an inscription on the floor of the entrance that said this is my journey's end. >> it's very unusual. even at that point for a woman herself to buy a home alone. she is really showing a good deal of independence by buying that home. >> it's been over a year since marilyn wrapped her last film. when fox calls her back to set. >> marilyn monroe owed them a movie. she signed up to be the lead in a comedy called something's got to give. >> this is her first mature role. and marilyn is playing someone who has responsibility for someone else. she's a mother. >> come here. >> why? >> i want to hug you. >> you do see a maternal aspect. completely unexpected. >> it naturally brings a certain softness. you can't help but wonder what could have been. i'm sure i'm not the only person to have thought that while watching the scenes. >> going into the movie she wasn't in the best of health. at all. she had colds and sinus and dependent on prescribed medication. >> marilyn was at a really intriguing turning point. she is still hungry for more creative fulfillment. but she's also struggling with mental health issues that make it very difficult for her to show up on time. >> the studio doctor had wanted the film production to be delayed a bit. but 20th century fox going through big problems at the time with their own finances. they just wanted it over and done with. >> the special event of the year. a first in television history. >> during the 1960s, the film studios were really competing with the rise in popularity of television. and one way to get people into the movie theater was to produce these huge big budget epics. with incredible costume and so much luxury. you had to see it on the big screen possible. and by the time that something's got to give was being made they were working on one of the biggest productions ever. which was starring elizabeth taylor. >> marilyn and taylor has been set up as rivals 6789 she was getting paid ten times what marilyn monroe was getting paid. >> it's a disaster shoot. she's sick. they have to tear down a bunch of very expensive sets and rebuild them in rome. >> i feel a little weak. thank you. >> as a result they had to shut down all production except for that and something's got to give. and the financial well being of the studio was effectively on marilyn's shoulders. >> are you going to stay long? >> i don't know yet. would you like me to? >> in the middle of production, marilyn takes off. to new york. >> she had a date with the president. he was having a big birthday party. >> the president is winding up his new york day here at madison square garden. a prebirthday celebration. >> a lot of very famous performers were singing. and dancing. she asked permission from the studio to go off. but because of the production delays the studio said she couldn't go. >> she was furious. in her view, a star of her stature had the right to say she was going to do this for a couple days and they had to deal with it. >> marilyn has spent weeks rehearsing for the event. >> it was a really big deal. and she prepared so much for that brief performance. >> marilyn had an association with president kennedy. and links together politics and hollywood. and the presidency was very much a hollywood presidency. >> on this occasion of your birthday. this lovelily day is not only -- >> i think the whole world knew there was a relationship between marilyn monroe and president of the united states. it was show business. and it was secretive. >> mr. president, marilyn monroe. >> and that night, the whole madison square garden sat there in awe. waiting for this princess of the motion picture industry. and a president. my foundation doesn't settle... and neither do i. age perfect 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my god. >> i was honored when they asked me to appear at madison square garden. i was a little worried about my voice. it came out. still i didn't know this tune. i can't forget the words. happy birthday. it's always been happy birthday. ♪ ♪ happy birthday to you ♪ ♪ happy birthday mr. president ♪ >> it's very erotic. and the incredibly powerful over sexuality in the early 1960s. would be seen by a many many people as being utterly inappropriate. truly inappropriate. >> that song is very deliberately a performance. marilyn performing marilyn. i definitely think marilyn was trying to send a message. to the powers that be at 20th century fox. her performance was a way of highlighting her own power. in a way that says i don't need you. you guys need me. >> ladies and gentlemen, the president of the united states. >> when she sang happy birthday, i remember watching that. and being very amused by it. i think she was playing with him. but it was certainly brave. >> i can now retire from politics after having had happy birthday sung to me in such a sweet wholesome way. >> the standard take on the after math is that jfk was publicly embarrassed. and he dumped her. the story continues. she was heartbroken. calling him every five seconds. and falling apart. but her friends at the time said that she absolutely wasn't. she wasn't in love with him. and she wasn't fore lorn. but we insist on seeing marilyn as a passive victim of the men around her. nobody can seem to imagine a different version of the story. that she was a 36 year-old woman who clearly had a very pragmatic attitude to sex. and she could be getting a kick out of sleeping with the most powerful man in the world. but marilyn's trip spells disaster. for her relationship with fox. the studio files a breech of contract. against her. >> i think there's a sense that going to madison square garden was her resting too much control from the studio. instead of sitting back and doing what she was told. >> what happens after is just the sign of the industry's inability to handle a good thing when they have it. >> back in l.a., marilyn has devised plan to remind the studio of who they are dealing with. >> she enlists the help of photographer lawrence charlottesviller. i went to her home. we started to go through the script. there's a scene she's in a swimming pool. and dean martin is looking at her from the balcony. and marilyn said splish splash. this would make interesting pictures. there's no question about it. she says, what would happen if i jump in the swimming pool with many bathes suit on. nude color. but came out with nothing on. >> she wanted those pictures as publicity to show 20th century fox that she was as popular as liz taylor. in the cover of every magazine in the world. >> i had two cameras around my neck. maybe three. she said in between each of the takes, i'll do the posing. because marilyn would look at where my camera was. look at light. and turn her body. she knew exactly what to do. >> a super-star, being on a fillle set and stripping down and being naked at that stature, at that level. highly unusual. it's beyond totelation. it's push the envelope. well, would you look at that? jerry, you gotta see this. seen it. trust me, after 15 walks... gets a little old. i really should be retired by now. wish i'd invested when i had the chance... to the moon! ugh. unbelievable. ordinary tissues burn when theo blows. so puffs plus lotion rescued his nose. with up to 50% more lotion, puffs bring soothing relief. a nose in need deserves puffs indeed. america's #1 lotion tissue. ♪ ♪ ♪ "how bizarre" by omc ♪ no annual fee on any discover card. ♪ ♪ ♪ ♪ at lowe's, you never have to be finished with your finishing touches. with aisles of ways to refresh and restyle. for whatever style you're feeling. at prices you're really feelin. shop the lowe's bath style & save event now in-store and online. marilyn had a approval of my photographs. so she says come on up to the house. she knew more about photograph ri than photographers who photographed her. just as i'm driving in she's about to drive out in a convertible. she says hop in. and hands me a bottle of alcohol. i popped the cork. she takes it. full bottle. like that. let me see the pictures. she takes the pictures and is holding them up to the street lights. >> then she takes out a pair of painting sheers and says -- my heart drops. she looks at more. zip. cuts right through the image. all the pieces she's cutting are going on the floor of the car. i'm grabbing them. putting them back. then i'm looking over and i'm saying, she's pretty good editing. that's how marilyn monroe ed mitt itted my color pictures. three survived. looking at a street light. >> i was afraid you'd misunderstand about that. >> on the set of something's got to give. marilyn's relationship with the studio goes from bad to worse. >> can we start again? >> they say she's uncooperative and caused costly delays and tried to dismiss her as a tempermental star. who over played her hand. >> all you can think about is the way i behave. with this poor little -- okay. >> poor little fly. >> the studio was looking at what is happening on the set. >> sorry, george. we can do it. >> they're saying we're not going to make it here. >> that was good. >> we are going to lose money and they pulled the plug. they just pulled the plug. >> the studio fired her. they made marilyn take the fall. instead of saying we can't afford to keep it going. it's because she's a mess and the footage is unusual and you can't work with her. nobody can work with her again. and that's it. >> it's shocking. they would let her go. marilyn was the biggest star at the time. even if they didn't want to admit that. >> two weeks after she's fired, the sensational photographs of marilyn hit the newsstands. >> the public reaction was just overwhelming. i call her on the phone and say they're running a cover in six pages. every time i get on the phone, her voice would go up another octave. she was achieving what she wanted to achieve. worldwide notoriety. her weapon was her body. her weapon was this incredible face. her weapon was to knock liz taylor and everybody else off the cover. >> it's absolutely stunning that she pulled off what she did. really being smarter than the managers she had. she really knew what she needed to do better than other people did. >> come on. have a little. >> that summer marilyn invites life magazine journalist and photographer allen grant. to her home for an exclusive interview. >> i think richard and interview is her chance to control the narrative. and appeal to her fans. who had been loyal to her. >> the way the industry treats stars. the things they said about me. they had never lost sight. discipline. or to be disciplined. >> she talks about herself. being really under mined by hollywood. and badly treated by hollywood. >> if you have a cold, how dare you have a cold. executives can't get colds. stay home forever. how dare you get a cold. >> there's a extraordinary moment where he says somewhat faultlessly. how do you crank yourself up for a performance. and it really clearly strikes a nerve. >> i don't crank anything. i'm not a model t. i don't crank. i don't know. i think that's disrespectful to refer it that way. we're not machines. no matter how much they want to say we are. we are not. >> she was so bold. she was so honest. and that was really an act of bravery. to say i'm a human being. with integrity and artistry. and i must insist that to you. >> as the interview draws to a close, marilyn makes a final request. >> i hope we got something here. please don't make me look like a joke. >> it's just so sad. after all those years of being this leading lady. this major force in american cinema. she has to beg a journalist not to make her look like a joke. >> a few days later, she's called to a meeting at 20th century fox. >> films always cost more than i expect. >> after a six year absence, daryl is returning as the studio president. >> he takes one look and says you guys are crazy. marilyn will make you money. he reinstates her. >> it's ironic that someone who was so opposed to her career at the beginning now really saw what kind of a gold mine he had. in marilyn monroe. >> when fox rehired her, she showed them who was in charge. she had finally forced them to accept her value. they rehired her as a million dollar contract. and that contract has to have meant more to her professionally than any other victory she achieved. >> she had been vindicated. she made them eat their words. >> she was at the top of her game. she was at the height of her success. and all of a sudden, a curtain came down. it's like wait a minute. the movie is not over. the movie is not over. i wanted to help protect myself. my doctor recommended eliquis. eliquis is proven to treat and help prevent another dvt or pe blood clot. almost 98 percent of patients on eliquis didn't experience 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xfinitymobile.com/mysavings or visit an xfinity store to learn how our switch squad makes it easy to switch and save hundreds. i had a dream about marilyn, and she was in terrible pain. and i woke up and i said to milton, you better go to beverly hills. he said, what are you crazy? i'm packing up to go to paris. but she was a good friend. i said, listen to me, i dream about something and it happens. always, my whole life. she needs you. she doesn't have anybody. he said, okay, i'll call. he called. he said to her, amy had a dream and she laughed, ha-ha. and they spoke on the phone for three hours. he was going to fly to beverly hills, fine. and she died. >> about 5:30 in the morning, i get a phone call. marilyn died last night. i said, don't give me that. hung up the phone. i've seen marilyn just hours earlier. >> she was found dead early this morning, an empty bottle on her bedside table. then i turned on the radio, there it was on the news. and i went to the house. there was a couple police officers there, a few reporters. only one or two photographers. the word hadn't gotten out yet. i had a camera with me, but i didn't know what to photograph. you photograph somebody alive, and now they're dead. >> it appears to be one of nature's strange turns, young women, the world at their feet, often feel unloved, inadequate. >> i can remember the headlines. this was massive, marilyn is dead. and i remember they showed the bed they found her in. >> after she died, there was this kind of glamorizing of her dead body and the sexualization of her corpse to a really extreme degree. >> she was face-down, covered only bare sheet, her hand on the phone. >> it's like this woman was never allowed to just be a human being. she had to be an object of desire for everyone and everything, even in death. >> a simple chapel saw only 23 of marilyn monroe's closest friends and acquaintances inside. >> there's this sort of performative memorial that happens, in which everyone is then so sad and how could it have happened? and yet no one in our culture is able to look inward and say, oh, i was part of the problem. >> the official cause of death is barbituate overdose. >> we thought she was murdered. everybody thought she was murdered. everybody. all kinds of conspiracy theory came out. >> this is the '60s, we don't believe it because we don't believe what they tell us. >> it was a mistake. nobody -- i mean, don't go there. nobody -- the cubans weren't there. the kennedys weren't there. everybody that was supposed to kill her didn't happen. it was a mistake. she took the damn sleeping pills. she forgot she took them so they took more. that's how it happens. ♪ >> a month before her death, marilyn met her friend, photographer george barris, for a photo shoot. >> they're very beautiful. i love these. >> these pictures reflect the old marilyn, someone you could talk to, someone who is accessible. it's like you're seeing her soul in a way. she's just looking right at the camera and, you know, it's like she's looking at you. >> marilyn monroe, the person, is gone. the image is not gone and it will never be gone. her legacy is defined more by the images we see of her, by her career, than anything else, despite the tragedies of her life. she's up there as fresh and new and wonderful as she ever was. >> marilyn monroe is a mirror for people's ideas about women's sexuality and women's power, about whether beautiful women can be intelligent, whether women have agency in their own careers. how are they to be treated as equals? how are they to be respected? those are questions that most women, if not all women, are still struggling with. and marilyn monroe is the symbol of all of that. >> if she were alive today, i think she would have been on the front lines with a lot of activists and organizers, and she would have become a very big voice in the me too movement. >> she was so limited by the public's gaze of who she really was and what she was capable of, but she broke all of these barriers. she became the biggest actress in the world, and the biggest cultural icon of the 20th century. i mean, she really was truly extraordinary. >> with the sun setting and one shot of film left in the camera, marilyn turns to george. this is for you. >> you do miss sometimes just being able to be completely yourself and someplace and people just know you as another human being. . hello and we will come to our viewers joining us here in the united states and all around the world. you are watching "cnn newsroom." just ahead, the u.s. state department reduces staff in kyiv as russian troops increase their military presence near ukraine. what can be done to prevent a new war in the region? thousands of anti-vax, anti-mask with pte

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