women are very mysterious. and women can smash your face in two, mister. your granny has become less mysterious over the years. so, you really like her? when i grow up, i want to marry her. yeah, sounds like you really like her. you know, she's not only at school. you can see where she lives maybe. it's reynolds drive, - four houses in from the right. well, you've done your research. i pass it every day on the way home. i tried to look in, - but she never sees me. she's always doing - her bloody homework. if she were a wee bit more stupid like me, we'd be sitting together by now. beyond all telling is the head and heart of love. he's full of pretty answers, that one. come on, it's time to go. we don't want your money shouting at me because you are late. cheerio. now, everyone who is listening to that, they are all chuckling in a lovely way. none of us have seen it coming and we already want to see it. �* , ., , . ., coming and we already want to see it. it's lovely. what happens is with the rise _ it. it's lovely. what happens is with the rise of _ it. it's lovely. what happens is with the rise of the _ it. it's lovely. what happens is with the rise of the troubles, l it. it's lovely. what happens is - with the rise of the troubles, there are barricades and divisions and the world around him starts to change. so here is the thing with the film, on the one hand, it's like hope and glory is being referenced because it's like a child's eye view of conflict. it also has something of roma, which was a big success at the oscars, shot in black—and—white, because he were members has passed in black—and—white, but also because black and white enables you to do infinite shades of grey in terms of the political turmoil. i also think it's important to acknowledge that there is a lot of terrence davis in this, particularly in the fact that when the kid goes to the cinema and the cinema is suddenly in colour, chitty chitty bang bang is suddenly in colour, and that thing about the rapture of going to the cinema when you are young is something that really terrence davis kind of pioneered and i think that kenneth branagh has taken a leaf out of his book. i think this is a very charming engaging, to some extent, slightly schmaltzy, but, hey, i think it hits that sweet spot between the film that pleases the critics and found that absolutely pleases the crowd. i think it's got a really strong shot, i told you this before, i think it's the best picture contender. it would not surprise me at all if this walked off at the top prize at the oscars because it's kind of got that written all over it. it's made with real love and hard. a couple of things about it that are a little bit hokey and it's slightly sentimental, but it's a childhood deal, it's a memoir about childhood. it's fiction, but it's clearly inspired by real life, and as i said, from watching that clip, if that clip didn't sell you the movie, nothing well, frankly. it that clip didn't sell you the movie, nothing well, frankly.— nothing well, frankly. it sounds delightful- _ nothing well, frankly. it sounds delightful- i _ nothing well, frankly. it sounds delightful. i think— nothing well, frankly. it sounds delightful. i think british - nothing well, frankly. it sounds| delightful. i think british people think of kenneth branagh is a classical stage actor, but actually, he has directed a lot of films. he is a ve he has directed a lot of films. he: is a very accomplished film maker. i will still fly the flag for frankenstein, and i think it's an underrated film. so, the second film this week. and is owned by guillermo del toro who obviously did shape of water, but this dates back to when he was making chronos which was a vampire movie. this is based on a novel in the 40s that was first on the 191m the 40s that was first on the mm film the wire story, bradley cooper is a natural born conmen, running away from his past, he takes up the carnival, he learns that checks of mentalism in a coded way that you can do an act that makes you look like a mind reader. the first half of the film takes place at a carnival, the second half takes place in the city where he develops and act as the great stand—in, the great fire breather. in his his and act as the great stand-in, the great fire breather. in his- great fire breather. in his his path crosses with _ great fire breather. in his his path crosses with cate _ great fire breather. in his his path crosses with cate blanchett, - great fire breather. in his his path crosses with cate blanchett, a - crosses with cate blanchett, a psychoanalyst, and is offered the opportunity to sell his soul which hejumps out. opportunity to sell his soul which he jumps out. what i love about this is three things, for as they can i let guillermo del toro's films because he's a properfilm maker he make films that create worlds. the world is artificial, but it's got its feet on the ground. the whole thing is completely immersive. the second thing is, yes, this is a knee on the wire, it was a lot to horror, it was a lot to freaks from the 19305 it was a lot to freaks from the 1930s and a real sort of cinematic treats. the other thing is it has the darkest ending of any film in recent memory, and i love the fact that it doesn't spot all that. i love the fact that the story has got this to it and it goes from here to the end, and the place that it's going to is inevitable, and it does not look away from it. it is real cinema, it's transported is. i thought it was great. i know you are not a horror i will say to mislabel commits a film noir, if any underwire, it's not not a horror film. i underwire, it's not not a horror film. ., .,, film. i am intrigued most definitely. _ film. i am intrigued most definitely. i— film. i am intrigued most definitely. ithank- film. i am intrigued most definitely. i thank you . film. i am intrigued most. definitely. i thank you would film. i am intrigued most - definitely. i thank you would like it. i loved the _ definitely. i thank you would like it. i loved the shape _ definitely. i thank you would like it. i loved the shape of _ definitely. i thank you would like it. i loved the shape of water - definitely. i thank you would like i it. i loved the shape of water which won the oscar— it. i loved the shape of water which won the oscar and _ it. i loved the shape of water which won the oscar and a _ it. i loved the shape of water which won the oscar and a slightly - won the oscar and a slightly odd way, perhaps at that understanding it, but i enjoyed it. visually, it was extraordinary, and and getting a sense that this is to.— sense that this is to. shape of water is a _ sense that this is to. shape of water is a creature _ sense that this is to. shape of water is a creature from - sense that this is to. shape of water is a creature from the i sense that this is to. shape of - water is a creature from the black lagoon meets splash, this is nightmare alley re—envisioned as a horror film nightmare alley re—envisioned as a horrorfilm but nightmare alley re—envisioned as a horror film but it's nightmare alley re—envisioned as a horrorfilm but it's not nightmare alley re—envisioned as a horror film but it's not a nightmare alley re—envisioned as a horrorfilm but it's not a horror film. horror film but it's not a horror film. g ., ., ., film. ok, i get it. journalfor jordan. this _ film. ok, i get it. journalfor jordan. this couldn't - film. ok, i get it. journalfor jordan. this couldn't be - film. ok, i get it. journalfor| jordan. this couldn't be more different. _ jordan. this couldn't be more different, directed _ jordan. this couldn't be more different, directed by - jordan. this couldn't be more different, directed by denzell different, directed by denzel washington, a true story who kept a diary for his son of home truths and life lessons. michael bjordan is the parent to the child. there we go. little head. i spy...a heartbeat. dana, thank you. i love you. i love you, too. you guys want to know the sex? together: yes. it's a boy. i knew it! - yes, it's a boy! what's up, little fella? how are you doing? it's papa. laughter. i knew it was a boy, i knew it. so here is that thing, it feels to some extent like a tv movie, on the good side, it is good to see a film in which male heroism is portrayed as being caring and being sensitive and teaching lessons about respecting yourself, respecting your heritage, respecting women particularly, and its messages are all very positive. it does, however, feel it is a bit kind of ordinary. it has a strange time structure flashing backwards and forwards which i kinda thought complicated rather than compressed the narrative. it is not a brilliantly made film, but it is a film, it's heart is in the right place. he did confess, as i get older, you know, you see a film in which it's so clearly, look, these are good messages, these are the kinds of things that people, i can imagine in the right frame of mind, somebody really taking it too hard. i thought it was ok. it was more of a tv movie than a film. at its heart was in the right place. than a film. at its heart was in the right place-— right place. ok. you're best out this week is _ right place. ok. you're best out this week is still... _ right place. ok. you're best out this week is still... liquorice . this week is still... liquorice izza, this week is still... liquorice pizza. you — this week is still. .. liquorice pizza, you still— this week is still... liquorice pizza, you still don't - this week is still... liquorice pizza, you still don't like - this week is still... liquorice pizza, you still don't like it? | this week is still... liquorice - pizza, you still don't like it? they don't love — pizza, you still don't like it? they don't love it. _ pizza, you still don't like it? they don't love it. i— pizza, you still don't like it? they don't love it. i cannot _ pizza, you still don't like it? they don't love it. i cannot tell- pizza, you still don't like it? they don't love it. i cannot tell you how many frank exchanges i've had in the newsroom in the last week about liquorice pizza. there is a real divide out there. it liquorice pizza. there is a real divide out there.— liquorice pizza. there is a real divide out there. it has proved surprisingly — divide out there. it has proved surprisingly divisive, - divide out there. it has proved surprisingly divisive, much - divide out there. it has proved l surprisingly divisive, much more divide out there. it has proved - surprisingly divisive, much more so than i thought it was going to. in a way, that is what cinema is meant to do. but nick i still love the central performances and we are looking at them now. you know, neither of them saw the movie before, i don't know, it feels natural and funny. ijust before, i don't know, it feels natural and funny. i just found before, i don't know, it feels natural and funny. ijust found it enchanting. i know people who absolutely loathe it. it is kind of interesting the way it's dividing audiences, but it's an important film, and like his otherfilms, they are not for everyone. i film, and like his other films, they are not for everyone.— film, and like his other films, they are not for everyone. i am intrigued b our are not for everyone. i am intrigued by your choice _ are not for everyone. i am intrigued by your choice of— are not for everyone. i am intrigued by your choice of dvd _ are not for everyone. i am intrigued by your choice of dvd this _ are not for everyone. i am intrigued by your choice of dvd this week. . are not for everyone. i am intrigued by your choice of dvd this week. i l by your choice of dvd this week. i don't know it, but i'm interested. it's also in cinemas, but mainly streaming. mass is on sky cinema, and also in other cinemas. it is about two sets of parents meeting in about two sets of parents meeting in a room in a church in a wake of the tragedy that has engulfed them. they are having the meeting and attempt to find some kind of reconciliation. it's jason isaacs, really great actors, fran krantz is the writer—director, debut feature, i thought it was astonishingly good. i saw it a year ago when it played at the sundance film festival, and it is kind of now got lost in all the awards. it's in and simulcast like you've never seen before. i awards. it's in and simulcast like you've never seen before. i looked at it and wondered _ you've never seen before. i looked at it and wondered whether- you've never seen before. i looked at it and wondered whether it - you've never seen before. i looked at it and wondered whether it had | at it and wondered whether it had started out as a play, because of the american actuaries are real classic stage actors, martha plimpton amongst them. it classic stage actors, martha plimpton amongst them. it really is cinematic and _ plimpton amongst them. it really is cinematic and that's _ plimpton amongst them. it really is cinematic and that's about - plimpton amongst them. it really is cinematic and that's about four - cinematic and that's about four people in a room talking. the other thing to say the subject matter it's dealing with may be very dark and difficult, but it is not a film about despair. it's a film about hope, and that makes it quite hard film to sell because it's dealing with some very dark subject matter, school shootings and tragedies like that. but the performances are brilliant. absolutely brilliant. i saw it to nothing about it other than a friend of mine said jason isaacs is in the best film i've seen in ages, and i would really help if you get a chance to see it in the cinema, go and see it in a cinema, otherwise it's on sky cinema, but however you see it, see it, because it is one of the most powerful films i've seen in a good many years of. it's funny how something can get lost in that cove it away. things have been so different. it’s lost in that cove it away. things have been so different. it's been such a strange _ have been so different. it's been such a strange time _ have been so different. it's been such a strange time for- have been so different. it's been such a strange time for cinema, | have been so different. it's been . such a strange time for cinema, you know, stuff like playing on the small screen instead of the big screen or simultaneously. her underwear and them as you can tell justin this one show, nightmare alley, belfast, suddenly these things are coming up, and last week it was a very different picture. so i think during awards season, things do get lost in the shuffle, do not miss out on mass. it is so worth your time. miss out on mass. it is so worth your time-— miss out on mass. it is so worth your time. i'm looking forward to that. streaming _ your time. i'm looking forward to that. streaming and _ your time. i'm looking forward to that. streaming and in _ your time. i'm looking forward to that. streaming and in cinemas. | that. streaming and in cinemas. thank you very much, mark. see you next time and enjoy your cinema going, whatever you choose to see. see you very soon. bye—bye. hello. mainly an east—west split when it comes to sunshine today. there has been plenty of it for eastern scotland and parts of eastern scotland and parts of eastern england, we look to the west, there's been a lot of cloud around. as we look at the satellite picture, you can see what has been going on. the cloud has been spelling and across western areas into southern england as well, more thanis into southern england as well, more than is expected today, eastern scotland and eastern england has had the lion's share of the blue sky. what's he going to be over the weekend? what's going to in the sunshine or the cloud. this area of high pressure getting a lot of settled weather. we are bringing the cloud into more areas from the atlantic, and that is a process that will continue on through tonight. so you are likely to see some cloud increasing. of course, the cloud means that the extent and severity of frost is going to be limited compared from the last few nights. 290 scotland, a few spots in wales as well. nowhere near as cold as it was last night. of course, that means with the cloud that we are going to be struggling to see some sunshine tomorrow. the mist and fog patches and southern areas, slow to clear. as we see today, parts of western scotland seeing some outbreaks of rain. it's a mild feel in scotland and northern ireland, elsewhere, we are going to see temperatures attach higher than they have been today. parts of southeast scotland northeast england perhaps, some sunshine for a time. mostly cloudy skies overnight and into sunday morning. again, there will be a touch of frost here and there, particularly grass bright of inlet wales. that's what we do have a few clear styles. that could be sent mist and fog patches that are slow to clear on sunday. on sunday, weather front approaching northern scotland. the bulk of its rain will not get in until sunday night. ahead of it, there will be some patchy rain in the northwest and west of scotland, and an increasing wind, the gales developing in the western isles. elsewhere, winds are mostly light, a lot of cloud around a few brighter more especially if you are to the east of high ground. temperatures mayjust take a little step backwards during sunday. for the weekend, a lot of dry weather around him away from western areas of scotland. plenty of cloud as we have established, not quite as cold as it's been. noticeably so overnight. a week weather system need week trying to come into the uk, but overall in the week ahead, high pressure stays close by. that means plenty of dry settled weather to come. that is your latest forecast. mark, as ever, online. —— more, as ever, online. as a huge russian military force sits waiting on ukraine's borders — the us and russia hold "frank" talks about moscow's intentions. with russia continuing to send troops to the area — it insists it won't invade — the us warns of "massive consequences" if it does. if any russian military forces move across ukraine's border, that's a renewed invasion. it will be met with swift, severe and a united response from the united states and our partners and allies. as those talks conclude, we'll be looking atjust what russia might be planning. also tonight. a campaign to persuade four million people in the uk to be vaccinated against covid. we speak to some with reservations about the jab. a damning report by mps on the underpayment of the state

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