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cheerio! aw! now, everyone everyone in my ear, everyone who s listening to that they re all chuckling in a really lovely way. none of us have seen it, and we all already want to see it, i think. it s lovely. and then, of course, what happens is that with the rise of the troubles, there are, you know, barricades and divisions and the world around him starts to change. and so, here s the thing with the film on the one hand, it s like, you know, john boorman s hope and glory is being referenced here, because it s like a child s eye view of conflict. yep. it also has something of alfonso cuaron s roma which, of course, was a big success at the oscars. it s shot in black and white, branagh said, because he remembers his past in black and white, but also because black and white enables you to do infinite shades of grey in terms of the political turmoil. i also think it s important to acknowledge that there is a lot of terence davis in this particularly in the fact that when he th

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