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Ruminations on Memory With Works by Robert Rauschenberg, Judy Chicago and Others to Open at
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Museums present A Living Language: Cherokee Syllabary and Contemporary Art
Rhiannon Skye Tafoya (Eastern Band of Cherokee Indians), Ulnigid, 2020, letterpress (photopolymer and Bembo & Cherokee Syllabary metal type) printed on handmade & color plan paper with paperweaving, closed: 11 × 11 ¼ inches, assembled: 23 ½ × 11 ¼ × 5 ⁵⁄₈ inches. Courtesy the Artist. © Rhiannon Skye Tafoya, image Rhiannon Skye Tafoya.
ASHEVILLE, NC
.- A Living Language: Cherokee Syllabary and Contemporary Art features over 50 works of art in a variety of media by 30+ Eastern Band of Cherokee Indians (EBCI) and Cherokee Nation artists. The exhibition highlights the use of the written Cherokee language, a syllabary developed by Cherokee innovator Sequoyah (circa 17761843). Cherokee syllabary is frequently found in the work of Cherokee artists as a compositional element or the subject matter of the work itself. The exhibition is on view at the Museum of the Cherokee Indian in Cherokee, NC
A Living Language: Cherokee Syllabary and Contemporary Art exhibit set to open - The Cherokee One Feather
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Asheville Art Museum and the Museum of the Cherokee Indian present A Living Language: Cherokee Syllabary and Contemporary Art
Exhibition on view beginning June 12, 2021 at the Museum of Cherokee Indian
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Exhibition on view beginning June 12, 2021 at the Museum of Cherokee Indian
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Asheville Art Museum
A Living Language: Cherokee Syllabary and Contemporary Art features over 50 works of art in a variety of media by 30+ Eastern Band of Cherokee Indians (EBCI) and Cherokee Nation artists. The exhibition highlights the use of the written Cherokee language, a syllabary developed by Cherokee innovator Sequoyah (circa 1776–1843). Cherokee syllabary is frequently found in the work of Cherokee artists as a compositional element or the subject matter of the work itself. The exhibition will be on view at the Museum of the Cherokee Indian in Cherokee, North Carolina from June 12, 2021 to October 31, 2021, and in the Asheville Art Museum’s Appleby Foundation Exhibition
Robert Rauschenberg, ‘Bubba’s Sister from the Ruminations.’
From 1933-1957, Black Mountain College was formed and thrived within the context of its seemingly unconventional methods and ways, only to simply disappear into the history books of the town it was named after, into the fond memories of those who passed through the magical space along their respective paths in life.
“There’s been a bit of a Renaissance in the last 15-20 years in the interest in the history of Black Mountain College,” said Hilary Schroeder, assistant curator at the Asheville Art Museum.
Leaps and bounds ahead of its time, even by many of today’s academic standards, the experimental liberal arts institution was a haven for cutting edge artists and the curious alike from around the country complete creative and spiritual freedom to be “you” and “me,” right in the heart of Western North Carolina.
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