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Connecting Legacies : New art exhibit shines light on Black Mountain College

Robert Rauschenberg, ‘Bubba’s Sister from the Ruminations.’ From 1933-1957, Black Mountain College was formed and thrived within the context of its seemingly unconventional methods and ways, only to simply disappear into the history books of the town it was named after, into the fond memories of those who passed through the magical space along their respective paths in life.  “There’s been a bit of a Renaissance in the last 15-20 years in the interest in the history of Black Mountain College,” said Hilary Schroeder, assistant curator at the Asheville Art Museum.  Leaps and bounds ahead of its time, even by many of today’s academic standards, the experimental liberal arts institution was a haven for cutting edge artists and the curious alike from around the country complete creative and spiritual freedom to be “you” and “me,” right in the heart of Western North Carolina. 

Black Mountain College art exhibit

Asheville Art Museum presents Connecting Legacies: A First Look at the Dreier Black Mountain College Archive

Asheville Art Museum presents Connecting Legacies: A First Look at the Dreier Black Mountain College Archive Josef Albers, Formulation: Articulation Folio II, Folder 12, 1976, screenprint on paper, edition 369/1000, publisher: Ives-Sillman, Inc., New Haven, CT, 15 × 40 inches. Asheville Art Museum. © The Josef and Anni Albers Foundation / Artists Rights Society (ARS), New York. ASHEVILLE, NC .- Connecting Legacies: A First Look at the Dreier Black Mountain College Archive features archival objects from the Theodore Dreier Sr. Document Collection presented alongside artworks from the Asheville Art Museum’s Black Mountain College (BMC) Collection to explore the connections between artworks and ephemera. The exhibition is on view in the Asheville Art Museum’s Van Winkle Law Firm Gallery through May 17, 2021.

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