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Matthew Barney on Redoubt at the Hayward Gallery
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Fruits of Labor Review: A Mexican American Family s Struggles in Central California Fruits of Labor Review: A Mexican American Family s Struggles in Central California
Emily Cohen Ibanez s documentary is an intriguing look at the heavily responsibilities borne by an undocumented immigrant s teen daughter.
Dennis Harvey, provided by
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Running time: Running time: 77 MIN.
Gabriella Garcia-Pardo
Those who complain “immigrants are stealing our jobs” hardly seem likely applicants for the jobs held by protagonists in “Fruits of Labor” such as cleaning other people’s houses or working the graveyard shift in a food processing plant. Constant hard work doesn’t seem to bring the American Dream much closer for this Mexican American family on California’s central coast. Emily Cohen Ibanez’s debut feature provides a flavorful glimpse at lives seldom represented in popular media, though she also obfuscates that view somewhat with fussily artistic fil
Review: A Black commune weighs the past, present and future in The Inheritance Sarah-Tai Black © Provided by The LA Times Chris Jarrell, from left, Nozipho Mclean and Eric Lockley in the movie The Inheritance. (Grasshopper Film)
What might a collectively authored Black future look like? For creative polymath Ephraim Asili, it is one that knows its past as well as its present.
With his feature-length debut film The Inheritance, the West Philadelphia-raised, New York-based filmmaker presents a reflectively avant-garde portrait of the connective threads between community making, historical archives and political awakening. Shaping an easy bricolage of what Asili refers to as a “speculative reenactment” of his time spent living in a Black radical collective, the Black Arts Movement, and the MOVE Black liberation group, The Inheritance resists convention in its easeful movements between documentary, fictive narrative and cultural archaeology.
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What might a collectively authored Black future look like? For creative polymath Ephraim Asili, it is one that knows its past as well as its present.
With his feature-length debut film “The Inheritance,” the West Philadelphia-raised, New York-based filmmaker presents a reflectively avant-garde portrait of the connective threads between community making, historical archives and political awakening. Shaping an easy bricolage of what Asili refers to as a “speculative reenactment” of his time spent living in a Black radical collective, the Black Arts Movement, and the MOVE Black liberation group, “The Inheritance”
resists convention in its easeful movements between documentary, fictive narrative and cultural archaeology.
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