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Decolonising the museum

Decolonising the museum
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Act local - Global Justice

Act local A training course for global justice activists Do you want to get more active in the fight for global justice but not sure you have the skills?  Feel frustrated at so many things in the world, but not sure how you can effectively take action in your community? Our new online training course might be what you’re looking for. During four evening sessions spread over five weeks, this course will train you in effective grassroots organising and campaign basics, including how to have an impact at a local level with Global Justice Now’s national campaigns to tackle structural injustice. This training is intended for people who want to take effective action in our local group network, but does not require you to be already involved in a local group.

Memes Are Dominating Attention Spans and Clicks Like Never Before So Why Is Serious Socially-Engaged Art Also Thriving?

Read an excerpt from the new book More Art in the Public Eye. December 24, 2020 Staged between the cubicle-like glass partitions of Brookfield Place’s atrium, in downtown Manhattan, Ernesto Pujol’s performance 9-5 (2015) paid homage to city office workers; writing silently for 8 hours a day, performers’ meditative gesture evoked the repetitiousness of all labor and created a literature of pedestrian life in the city. © Nisa Ojalvo 2015. A mohawk-topped black man defiantly marches forward across a public plaza as a weaponized water cannon blasts him back, creating a visceral spectacle recalling civil rights confrontations in 1960s Birmingham, Alabama, but the year is really 2014, and the place is New York City. A series of free workshops teaches eager participants the art and history of protest songs, all the while repurposing such musical dissent to accommodate issues of contemporary resistance. A mysterious huddle of white-clad scriveners silently documents the routin

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