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From Cannes: Nitram is a Compelling, if Unsure, Look at the Makings of a National Tragedy | Arts

Australians own more guns today than they did in 1996. That year, the country’s largest mass shooting — the Port Arthur Massacre — led the government to swiftly adopt landmark gun control legislation, recalling and destroying 650,000 guns from residents. That rise in Australian gun ownership is the catalyst behind director Justin Kurzel’s latest film, “Nitram.” The film, which premiered at the 2021 Cannes Film Festival, was greeted with controversy when Kurzel first announced it would follow the Port Arthur Massacre. At times excruciating, at others gripping, the drama follows the titular serial killer as he grows up in a suburb of Tasmania with his soon-to-be-suicidal father and an overbearing, cold mother who has trouble accepting Nitram as her own son. Through years of his parents and peers bullying him for his mental illness, audiences watch as Nitram becomes further and further alienated by society. And because the audience knows exactly where this

74th Cannes Film Festival Highlights

Stillwater received after its premiere on July 8. The Velvet Underground is a documentary film about a rock band of the same name, directed by Todd Haynes. NPR called the film “richly immersive” and named it one of the seven films not to miss from the Cannes Film Festival. Todd Haynes’s “The Velvet Underground,” which debuted at Cannes, is no conventional music documentary. https://t.co/ZBsuJeAw7D Feathers won the Grand Prize at the Cannes Film Festival’s Critics’ Week. According to Variety, the film directed and written by John Ruane is set in modern-day Egypt and focuses on a mother of three whose idealist husband is unexpectedly turned into a chicken by a magician.

Titane wins top Cannes honor, 2nd ever for female director - New Delhi Times - India s Only International Newspaper

July 19, 2021 Share Julia Ducournau’s “Titane,” a wild body-horror thriller featuring sex with a car and a surprisingly tender heart, won the Palme d’Or at the Cannes Film Festival, making Ducournau just the second female filmmaker to win the festival’s top honor in its 74 year history. The win on Saturday was mistakenly announced by jury president Spike Lee at the top of the closing ceremony, broadcast in France on Canal+, unleashing a few moments of confusion. Ducournau, a French filmmaker, didn’t come to the stage to accept the award until the formal announcement at the end of the ceremony. But the early hint didn’t diminish from her emotional response.

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