On Tuesday night, at a Los Angeles multiplex, writer-director Cameron Crowe introduced his latest film, “Aloha,” to a packed audience of media and regular moviegoers alike. This would be a highly unusual gesture in and of itself filmmakers rarely show up randomly just to say hi, especially ones who are as established as Crowe but what he said was just as unusual.
It was a plea: Take this film for what it’s intended to be, a love letter to Hawaii. Tune out the peripheral noise that’s surrounded it for months. Have an open mind and heart and enjoy yourself. He never specifically said the words “Sony hack,” although that’s clearly what Crowe was referring to: the release of embarrassing e-mails that revealed his star-studded romantic comedy was in trouble based on early screenings. “Aloha” also has drawn criticism for its perceived lack of Hawaiian characters (although there are indeed some).
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Last week she released Portas, a 16-songs effort that follows 2011’s O Que Você Quer Saber De Verdade and includes the single Calma, which she co-wrote with Chico Brown. It opens with the song that gives the album its name and closes with the uplifting Pra Melhorar featuring Seu Jorge and his teenage daughter, Flor de Maria. Portas which means doors in Portuguese seems like an appropriate title for the times. In the beginning of 2020, I was ready to start to record this new album and then everything happened, the doors closed, we were locked at home, Monte told The Associated Press in a recent interview from Rio de Janeiro.
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