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Screenshot: Terror Films
When college student Jenna (Nell Kessler) catches her boyfriend (Michael Finnigan) in the act of cheating, she takes a cue from her religious-study class and summons a succubus to help her get revenge. What could possible go wrong? As the trailer for Lee Esposito’s
Lillith suggests a whole hell of a lot.
There are some
Jennifer’s Body vibes there who’d have thought a feminist demon would be just as kill-crazy as
any old demon would be? as well as a bit of girl-power witchcraft classic
The Craft too, as Jenna and her friends naively embrace black magic without really stopping to consider the consequences. (The black lipstick worn by Lillith, played by Savannah Whitten, helps underline those vintage goth vibes.)
A Siren From Hell Will Reap Revenge In the New Trailer for LILLITH!
LILLITH features a siren from hell, hell bent on revenge. Check out the trailer for the latest from our friends at Terror Films.
Resident Evil‘s new live-action series cast, it’s been busy. Super busy. But the week is not over yet! And today, we have a trailer for
Lillith, a revenge flick with a seafaring twist! Check out the trailer below:
The film is being distributed by Terror FIlms, and is the brainchild of director Lee Esposito. Want to know more? Please, allow us:
Synopsis:
Road to research
Local author and Tribune editor, Dana Haynes, visits exotic locations for work on Sirocco
I m thrilled to announce that my new thriller, Sirocco (Blackstone Publishing, $16.99), hit the stands Tuesday, Jan. 19. It s my ninth published novel, and the second starring Michael Finnigan and Katalin Fiero Dahar, following their 2019 debut in St. Nicholas Salvage & Wrecking.
The editor of the Metro Life section has graciously offered me this space to tout my book.
Before I do, just a quick aside. When I was 20, I wanted to be either a newspaper journalist or a novelist. Today, I m both, making me, by far, the luckiest guy I ve ever met. My work at the Portland Tribune and the Pamplin Media Group has been doubly rewarding this past year, as everyone from the publishers to the ad reps, from circulation to the production crew, came together to provide excellent journalism in the face of a pandemic, a recession, weeks and months of emotional protests about s