Director, producer and co-writer Edgar Wright shared the news on social media, revealing that the upcoming album will include demos from Beck, who wrote a majority of the songs Sex Bob-Omb (Scott, Stephen Stills and Kim Pine’s band) performed in the film. They also finally released Brie Larson‘s version of Metric’s “Black Sheep,” the song she performed as the fictional The Clash at Demonhead frontwoman, Envy Adams.
In July 2020, the cast including Michael Cera, Chris Evans, Mary Elizabeth Winstead, Aubrey Plaza, Kieran Culkin, Mark Webber, Alison Pill, Ellen Wong, Mae Whitman, Jason Schwartzman, Satya Bhabha and Brandon Routh reunited to celebrate the film’s 10th anniversary, holding a virtual table read while in quarantine. “We wanted to see each other, revisit the insanity that is Scott Pilgrim vs the World, and do some good by raising money for a cause we care about. So much has changed since then, and so much has not…” they said in a joint statement.
Christina Hendricks appears on our video call with the most dramatic backdrop. Art-deco gold peacocks bedeck a black wall, making her look, as she has so often in her career, a bit too good to be human. Perfectly poised, perfectly framed, perfectly lit, she is more like a dreamy vision of what humans look like. âI, erm, like your wall,â I say, pointlessly. She flashes a smile, as if to say: âObviously.â
We are here primarily to discuss the comedy-drama series Good Girls, the fourth season of which will resume in the US this month after a midseason break. The elevator pitch would be Breaking Bad for girls: three suburban women, each hovering on the edge of bankruptcy, unite to embark on a life of cack-handed crime, only to discover they are good at it. The ensemble â Hendricks, Mae Whitman, who plays her sister, and Retta, their friend â works strikingly well, their pacey comic rapport instilling a sense of perpetual motion. You just canât imagi
Christina Hendricks appears on our video call with the most dramatic backdrop. Art-deco gold peacocks bedeck a black wall, making her look, as she has so often in her career, a bit too good to be human. Perfectly poised, perfectly framed, perfectly lit, she is more like a dreamy vision of what humans look like. âI, erm, like your wall,â I say, pointlessly. She flashes a smile, as if to say: âObviously.â
We are here primarily to discuss the comedy-drama series Good Girls, the fourth season of which will resume in the US this month after a midseason break. The elevator pitch would be Breaking Bad for girls: three suburban women, each hovering on the edge of bankruptcy, unite to embark on a life of cack-handed crime, only to discover they are good at it. The ensemble â Hendricks, Mae Whitman, who plays her sister, and Retta, their friend â works strikingly well, their pacey comic rapport instilling a sense of perpetual motion. You just canât imagi