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Top 10 arts events in Sarasota-Manatee: Sept 23-29
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Bishop blesses computer lab for recently incarcerated women job skills
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“Imagine you must survive without running,” Ada Limón writes in one of
The Carrying’s (Milkweed) early poems, and for a while I can imagine nothing but that. But then, a few pages later, she writes, “Perhaps we are always hurtling our bodies toward/ the thing that will obliterate us . . .” and I think, yes, I imagine that is also true. On and on this book goes, making me imagine the world in one way and then another. Consider her poem “American Pharoah,” in which the speaker is quite literally sick and tired but is forced to leave the house to see some horse “not even race, but/ work.” She’s a grump, the poem’s speaker, just like I am so often grumpy and tired and sick of it all. And so too is “some horse racing bigwig” who is certain this horse must be overrated. Isn’t so much of what this world sells us overrated? The blooming trees and the dogs and the dandelions and the tomatoes and the dreams we have of the people we love or the people we hope to l
We certainly lost one of the most interesting folks you will ever meet. He was an Agent Orange victim and fought itâs consequences for 40 years. A good Marine who always said heâd do it all again. He leaves behind a wife , Gail, of 62 years and three children, Elizabeth (deceased), Colleen Reed Ogden and her fiancee Timothy Gautier of Orlando, FL and Robert Langan Reed, Jr. and his wife Audrey of New Braunfels. Grandchildren, Travis Everett Sternberg , Casie Ogden Newcomb and husband Alan of Dallas, TX, Danielle-Rey Loni Martinez of Dallas, TX and Kai Michael Ogden of Austin, TX. A niece Diane Reed Cashion and Van Stickney Reed, Jr. and wife Susie of Goldsboro, NC.Â
Digital Sharing – KickItDown Productions | Review
March 10, 2021 Last updated:
March 14, 2021
The team behind Digital Sharing might not be best pleased with me likening their series to a ‘scratch night’ but there were moments when it felt like one. Most of the eighteen short plays were very good, with the odd one or two that were either too long (by which I mean ‘too slow’) or otherwise didn’t quite hit the spot. Others simply needed to be a little more developed:
CTRL + ALT + DELETE by Caroline Wilson and Angela Moneke involved a surprise online birthday party for Nina (Morayo Adeagbo), put together by her friends. The host, Maria (Alison Boateng) has the briefest of interactions with Nina’s estranged father Barry (Renford Warmington) before the party gets underway, but otherwise, the audience is simply watching other people having a catch-up and enjoying themselves, which is lovely, but hardly makes for gripping theatre. Then again, with the world being as angry
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