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Lazor Wulf Tried to Warn Everyone About the Moon

Lazor Wulf Tried to Warn Everyone About the Moon Share Henry Bonsu’s Lazor Wulf, an off-kilter animated series about a talking wolf armed with a laser gun, was one of Adult Swim’s most refreshing shows. It switched up the usual late-night cartoon bloc by spotlighting a bevy of Black talent and creativity. Though the show met its untimely end earlier this year after just two seasons, it’s still giving us some timely lessons. As focused on its own world of talking animals and petulant oldhead gods as Lazor Wulf was, the series did often make pointed statements about the real world. We’ve known since the 18th century that there is a natural wobble in the moon’s orbit around the Earth and that it directly impacts the Earth’s tides. But the confluence of extreme sea level risings and the moon’s wobble is set to cause historic coastal flooding in the coming decades that will further emphasise how much of a threat global climate change is.

Lazor Wulf s Space Ghost Riff Needs His Own Talk Show

Cpase Ghoul hosting his show. (Screenshot: Adult Swim) To sign up for our daily newsletter covering the latest news, features and reviews, head HERE. For a running feed of all our stories, follow us on Twitter HERE. Or you can bookmark the Gizmodo Australia homepage to visit whenever you need a news fix. In the era of the ongoing covid-19 pandemic making it difficult for many Hollywood productions to take place safely with everyone together physically, animation presents a number of unique advantages, as creative teams don’t have to be in close proximity to one another in order to make new things. Lazor Wulf is one of the newest entries that we’re excited about.

Meet the mysterious cartoonist behind the weirdest thing on Adult Swim

Meet the mysterious cartoonist behind the weirdest thing on Adult Swim
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Meet the mysterious creator of Lazor Wulf on Adult Swim

Print Recently returned to Adult Swim, the Afro-retro-futurist-absurdist “Lazor Wulf” was one my favorite shows of 2019, and it shows no signs of being less so in its second season. Arriving as if fully formed from the collective head of creator Henry Bonsu and his writers, animators and voice artists, it creates a perfectly real impossible place you visit as if a foreign country, whose language and practices you might imperfectly understand but whose authority you grant. “Lazor Wulf” knows what it’s about, even if it will take you a minute to catch up or maybe you never quite catch up, which is after all one of the pleasures of travel, to be a little disoriented in a rich and settled Somewhere Else.

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