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Kajol opens up on parents Shomu Mukherjee-Tanuja s separation when she was 4 year old

Kajol opens up on parents Shomu Mukherjee-Tanuja s separation when she was 4 year old The only thing she said she regretted was not having the opportunity to play her parents against each other. Kajol | Instagram Updated: Jan 21, 2021, 10:23 PM IST Bollywood actress Kajol has been, who is riding on success of her OTT debut Tribhanga , recently opened up about her parents, Shomu Mukherjee and Tanuja s separation when she was only four-and-a-half-year old.  In a special episode of streaming platform Netflix s Behensplaining, Kajol, while acknowledging the fact that she had an amazing upbringing , said that she totally gets if it had gone even slightly wrong what it would have been like , hinting at that she would have had a troubled childhood had things gone wrong.

Tribhanga movie review: A poignant tale of mother and daughters

Tribhanga movie review: A poignant tale of mother and daughters She needs peace at home. She is also a loving mother who wants to be loved both as a woman and a writer. Indian society generally restricts mothers to one dimension. Share Via Email   |  A+A A- Express News Service In Deewar, Amitabh Bachchan asks, “Aaj mere paas building hai, property hai, bank balance hai, bangla hai, gaadi hai… kya hai tumhare paas?” Pat comes Shashi Kapoor’s reply, “Mere paas maa hai!” That one response continues to enjoy iconic stature in a country that deifies mothers. Actor Renuka Shahane’s directorial debut Tribhanga, however, turns this dialogue on its head. Tribhanga is the story of three mothers. They are three flawed women who incidentally become mothers.

Tribhanga Review: High-Voltage Emotional Reflection on Human Foibles and Strengths | Bollywood

“Tribhanga” (the last “Ga” is pronounced, but not with a long “aa” sound), an Oddisi dance pose that is crooked and asymmetrical, represents Kajol here. The product of a wholly dysfunctional family, Anuradha Apte is “mooh-phut” (blunt), good at heart, a believer in God despite a troubled life, and mercurial. Her problems stem from a traumatic childhood in which her writer-mother Nayantara Apte (Shweta Mehendale) has left her husband (unknown actor) because her obsession with and success as a writer led to a certain neglect of home and children—born, we are later informed, sans passion. The boy is Robindro (Vaibhav Tatyawadi as adult).

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