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Tribhanga Review: High-Voltage Emotional Reflection on Human Foibles and Strengths | Bollywood

“Tribhanga” (the last “Ga” is pronounced, but not with a long “aa” sound), an Oddisi dance pose that is crooked and asymmetrical, represents Kajol here. The product of a wholly dysfunctional family, Anuradha Apte is “mooh-phut” (blunt), good at heart, a believer in God despite a troubled life, and mercurial. Her problems stem from a traumatic childhood in which her writer-mother Nayantara Apte (Shweta Mehendale) has left her husband (unknown actor) because her obsession with and success as a writer led to a certain neglect of home and children—born, we are later informed, sans passion. The boy is Robindro (Vaibhav Tatyawadi as adult).

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