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Finally available on streaming services, the UK art-pop prankstersâ throwback rave anthems, jock-jam singalongs, and mischievous myth-making prove as enduring as they are audacious.
To be a follower of the KLF is to be a scholar, an acolyte, a digital monk treating zip files like illuminated manuscripts. Trawling forums and message boards for shards of the apocryphal mythos, sifting through various international versions of
The White Room and multiple mixes of â3 A.M. Eternal,â finding hidden resonance in the absurdist symbolism of the number 23 or the sudden appearance of ice cream vans. KLF fandom is a secret language and a circle of rituals, intensely ironic but also deadly serious, like the music of Bill Drummond and Jimmy Cauty itself.
The KLF, de «pop stars» à croque-morts
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Avec "Welcome to the Dark Ages", The KLF signe un film apocalyptique
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There s a new film about the return of the KLF.
Announcing their return back in 2017, and dropping an eight-track release last Friday dubbed Solid State Logik 1 , KLF have shared more new content with excited fans: a documentary film about their comeback.
Directed by Paul Duane, the film, titled Welcome To The Dark Ages, charts the electronic group s return after burning their own money, and signing a contract agreeing to a two-decade silence. It also documents KLF s ‘People’s Pyramid - a structure built with bricks forged with the ashes of dead people, for a special event in Liverpool called ‘The Toxteth Day of the Dead’.