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Finally available on streaming services, the UK art-pop prankstersâ throwback rave anthems, jock-jam singalongs, and mischievous myth-making prove as enduring as they are audacious.
To be a follower of the KLF is to be a scholar, an acolyte, a digital monk treating zip files like illuminated manuscripts. Trawling forums and message boards for shards of the apocryphal mythos, sifting through various international versions of
The White Room and multiple mixes of â3 A.M. Eternal,â finding hidden resonance in the absurdist symbolism of the number 23 or the sudden appearance of ice cream vans. KLF fandom is a secret language and a circle of rituals, intensely ironic but also deadly serious, like the music of Bill Drummond and Jimmy Cauty itself.
The KLF, de «pop stars» à croque-morts
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Avec Welcome to the Dark Ages , The KLF signe un film apocalyptique
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