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Express News Service
The unforeseen second wave of the COVID-19 pandemic has brought the nation to a screeching halt, again. For the film industry that had just begun to smell normalcy after standing still for several months, the announcement of new lockdown regulations has come as a challenge.
While film shootings have been disrupted, film professionals supervising the sound and colour grading processes in the post-production phase are finding inventive ways to get by.
“Unlike editors and VFX artists, who can work individually on their personal machines, dubbing mandates the physical presence of the actors and voice artists in the recording studio, thereby making our job much harder during the lockdown,” says Vignesh Guru, who has worked as a dubbing engineer on numerous films including Karnan and Sulthan, two major Tamil films to hit the marquee weeks before theatres shut down.
Mirroring The Industry: Are Masala entertainers dead in Bollywood? The thin line between MASS and MESS
There is a thin line between MASS cinema and MESS in the name of MASS cinema, and at present, the failure in Masala space is due the content falling in the latter category. Pinkvilla debates Written By Aamir Khan in Ghajini; Salman Khan in Wanted
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In the 2000s, post the multiplex revolution, Bollywood was inclined towards making comedies, rom-coms and slice of life entertainers. The definition of the vintage masala cinema was changing, with a constant chatter in the trade about evolution of cinema with the death of Masala resulting in the closure of single screens too. But in Christmas 2008 weekend came the Aamir Khan starrer Ghajini, a remake of Tamil Film of the same name, fronted by Suriya. It created history, proved to be an all-time grosser and marked the beginning of an altogether different streak for Aamir Khan. It was a signal that, though the lang