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Adam Quarshie , May 12th, 2021 09:19 Ahead of the release of their fourth album, Adam Quarshie caught up with Sons of Kemet to discuss the idea of music transmitting encoded information, escaping the grid and connecting with ancestral knowledge All band portraits by Udoma Janssen In The Last Angel Of History, John Akomfrah’s experimental documentary released in 1996, the narrator is a “badboy scavenger poet-figure” known as the Data Thief. Roaming through history, the Data Thief gathers “techno fossils”, fragments of culture from different epochs, with which he hopes to be able to decode the future. One of the central arguments of the film – which became a vital document of the Afrofuturist aesthetic – is that sampling technology, which allowed for the creation of electronic music forms such as techno and jungle, was able to break down time. Through sampling, producers were able to access all previous eras of music simultaneously and create music that sounded lik

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