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Chrissi makes her introduction with 'Back In The Day'

Chrissi makes her introduction with 'Back In The Day'
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Shabaka Hutchings Goes Back to the Future

We earn a commission for products purchased through some links in this article. Udoma Janssen Shabaka Hutchings Goes Back to the Future The saxophonist and bandleader of Sons of Kemet is the most exciting voice in British jazz. By Marcus J Moore 13/05/2021 On a recent video call from his South London home, Shabaka Hutchings is running through his ever-growing to-do list. There’s the record label he just launched; the solo album he’s planning; and the book that he’s writing. Then there’s the new album, which he’d recorded just a few weeks earlier. Around all this, there’s the practice: when he’s not blowing the saxophone or clarinet in a nearby community centre, he plays them in the woods, to keep his sound sharp and body active during the UK lockdown. “When you play in nature, it doesn’t echo,” he says. “Plus it’s good to breathe in the fresh air. It makes me a better player.” In a rare moment of rest, he started watching

The Quietus | Features | A Quietus Interview | Music Is A Time Machine: Sons of Kemet Interviewed

Adam Quarshie , May 12th, 2021 09:19 Ahead of the release of their fourth album, Adam Quarshie caught up with Sons of Kemet to discuss the idea of music transmitting encoded information, escaping the grid and connecting with ancestral knowledge All band portraits by Udoma Janssen In The Last Angel Of History, John Akomfrah’s experimental documentary released in 1996, the narrator is a “badboy scavenger poet-figure” known as the Data Thief. Roaming through history, the Data Thief gathers “techno fossils”, fragments of culture from different epochs, with which he hopes to be able to decode the future. One of the central arguments of the film – which became a vital document of the Afrofuturist aesthetic – is that sampling technology, which allowed for the creation of electronic music forms such as techno and jungle, was able to break down time. Through sampling, producers were able to access all previous eras of music simultaneously and create music that sounded lik

The Quietus | Features | The Lead Review | Edge Of Tomorrow: Black to the Future By Sons of Kemet

The Quietus | Features | The Lead Review | Edge Of Tomorrow: Black to the Future By Sons of Kemet
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