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Sarika Sharma
The fingers would move deftly on the algoza to the rhythm of Mirza-Sahiba, Jugni and Dulla Bhatti. With equal ease, Bhajan Lal would pick up the tumbi and strike at the strings with suc
Even after braving police action, concrete barriers, iron spikes, suspension of water and electricity, what makes the protesting farmers stay on? The protest art at Ghazipur, Tikri and Singhu may offer some insight.
ਚੇਤਿਆਂ ਵਿਚ ਵੱਸਿਆ ਬੰਸੀ ਕੌਲ ਦਾ ਜਾਦੂ punjabitribuneonline.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from punjabitribuneonline.com Daily Mail and Mail on Sunday newspapers.
Areet Kaur
Bansi Kaul, theatre personality (August 23, 1949–February 6, 2021)
I first met Bansi Kaul in 1978 on a summer afternoon in Amritsar. My father Gursharan Singh and poet Amarjit Chandan had invited him to lead a month-long theatre workshop for my father’s group, Amritsar Natak Kala Kendra. At the time, Bansi Kaul was on the faculty of the NSD and also a director in its repertory. These were early days in his illustrious journey.
The workshop was intended to facilitate the production of Dhamak Nagare Di, which went on to become a landmark in Punjabi theatre history. The storyline was decided in consultation with Amarjit Chandan, poet Shehryar and Sabinderjit Sagar of Guru Nanak Dev University. It was agreed that the play would be a period-drama based on the peasant rebellion of Dulla Bhatti against the excesses of the Mughal empire, juxtaposed against the contemporary crisis in the agrarian sector.