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Postmates made a cookbook that doesn t require you to cook

  Then, as the final step of each recipe appears a QR Code that will take readers to where they can purchase the respective dishes via Postmates.   The Postmates book  celebrates not cooking and being ok with it,” says Joe Staples, ECD and partner at Mother L.A., the agency behind the campaign. “When the pandemic hit and we all put sweatpants on, lots of us decided to learn to cook. This was closely followed by the realization that there was a reason we didn’t do this earlier: it’s hard. And when everything else had become exponentially more stressful maybe it was ok to not add more stress to the situation. If this sounds anything like what you experienced, we made a book for you.”

Postmates Don t Cookbook Release

Postmates has just released the Don’t Cookbook that lightheartedly takes a jab at the ongoing COVID-19 pandemic, and the boom in the demand for home delivery. This 206-page “recipe” book cleverly lists some of the most popular comfort foods with illustrations by artists Nicholas Scarpinato, JonPaul Douglass and Jason Travis, but rather than step-by-step instructions on how to cook the dish, a QR code is printed at the bottom of the irrelevant and nonsensical instructions. The QR codes will guide readers to where they can find dishes at their local restaurants via Postmates. Priced at $50 USD, the book can be found over at Don’t Cookbook where a portion of the proceeds will be donated to a charity that benefits restaurant workers affected by the pandemic.

Jonpaul Douglass | Communication Arts

By Claire Sykes Jonpaul Douglass’s photographs really want you to look at them. Why else would his camera make a stop sign come to a halt, lying flat on the ground, still shouting its command? And what about the eye peeking out from a hole cut in fake fur, its lower lid pulled down by a pencil eraser? Oh, and then there are the pictures of the pug. © Wes Sumner The Los Angeles–based photographer and director gives the logical and the absurd space to romp in images that narrate and free-associate, playing with the conceptual and the concrete within a palette that leaps from tart hard-candy hues to subtle tone-on-tones. It all basks in a dazzling high-noon glare. “I love minimalism, and try to make it happen on less-complex jobs, stripping things down to what’s most important in the scene, where it’s as simple as it can be, but also the most complex,” says Douglass. That’s the way he lives too, with his wife, Anica, a Netflix creative producer, in their modern Califor

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