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For most of the recent past, economic geography has shifted to ever-larger cities across the globe. By the end of the last decade, many were convinced that we were entering a supreme era of the glittering, high-rise “superstar” city that would inevitably swallow all the best bits of the economy, and serve as unparalleled centers of tech, culture, political activism, and global trade. Globally, the ranks of city-dwellers more than doubled over the last 40 years, from 1.5 billion in 1975 to 3.5 billion according to data from the OECD.
Yet now this urban-centric pattern may be slowing, and even reversing. Three critical factors are at play here. First, of course, the pandemic has weakened the appeal of urban life by the very logic of social distancing and higher levels of infections and fatalities. The second factor has been an alarming uptick in urban crime and disorder, particularly in the United States but elsewhere as well. Finally, there has been a move to dispersed and online
Swansby’s
New Encyclopaedic Dictionary is the case file, and mountweazels (made-up dictionary entries) are the crimes against vocabulary. The perpetrator of said crimes and the sleuth sniffing them out are separated by a century but bound together by their mutual employer, London’s Swansby House. And the potential victims? Well, that’s where reading the book and learning a plethora of pleasurable words, genuine and fake come in.
Williams speaks with BookPage as she walks her dog near her London home, where she lives with her wife, writer Nell Stevens. Williams explains that the inspiration for the novel came from acts of literary subterfuge that were born both of her studies her Ph.D. research and thesis were about mountweazels and the ways in which her own perspective on dictionaries and other arbiters of language has changed over time.
Within a few days of each other, I saw Schindler s List and Geronimo, and it occurred to me that both films are about Holocausts, about entire populations murdered because of their race.
But Americans are not quick to describe our treatment of the Indians as genocide, and even a somewhat revisionist film like Geronimo is careful to describe the conflicts between the U.S. government and Indian hostiles as a war.
It was a war carried out with most of the power on our side, and our justification - that the land belonged to us and we therefore had the divine right to cleanse it of an alien race - is, of course, Hitler s argument. One of the unanswerable questions in this film comes when Geronimo asks why there is not enough land for everyone.
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