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Sankha Ghosh: A Poet and Face Beyond Advertisements
The death of the litterateur ends the generation of post-Independence Bengali poets.
Sankha Ghosh (1932-2021) . Photo: Twitter
Culture13 hours ago
Bengali poet and novelist Sunil Gangopadhyay recalled collecting poems of his contemporary Sankha Ghosh for the inaugural edition of the legendary little magazine
Krittibas in 1953. âThe most discussed young poet in those days was Sankha Ghosh,â wrote Gangopadhyay in his autobiographyÂ
Ardhek Jibon (
Half a Life, Ananda Publishers, Calcutta, 2002):
“Narayan Gangopadhyay [novelist] had read his [Ghoshâs] poetry to his students in the Bengali class at City College. We were also enamoured after reading his poetry in Parichay. We must have his poems. And we were delighted to get our hand on an entire notebook of Shankha Ghoshâs poetry. His handwriting was like pearls, and each poem shone like a diamond. Perhaps, it was in this notebook that he was putting
The constant phoenix - GR Iranna
Tue, Apr 20 2021 8:21 IST |
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The constant phoenix - GR Iranna. Image Source: IANS News
The constant phoenix - GR Iranna. Image Source: IANS News
The constant phoenix - GR Iranna. Image Source: IANS News
New Delhi, April 20 : For artist GR Iranna, ash represents the parallels between life and death. My affair with it can be traced right back to my childhood days. I did my schooling at an aashram where there was a tradition of wearing vibhuti (holy ash) on the foreheads. So, I am not new to the use of ash. Even when I was back in college, I would use materials like black ash and charcoal, says the artist whose latest exhibition Budi (Ash) can be viewed at Gallery Espace.
New Delhi– For artist GR Iranna, ash represents the parallels between life and death.
“My affair with it can be traced right back to my childhood days. I did my schooling at an aashram where there was a tradition of wearing vibhuti (holy ash) on the foreheads. So, I am not new to the use of ash. Even when I was back in college, I would use materials like black ash and charcoal,” says the artist whose latest exhibition ‘Budi’ (Ash) can be viewed at Gallery Espace.
Overwhelmed by the response to the two month long exhibition that started in February, the artist feels that in unnatural times of the pandemic like this, it is a good idea to extend the duration of an exhibition, so that it can be attended in a staggered manner. “The visitors come in two’s and three’s at a time, and not in large crowds. This is why we chose to hold the exhibition over a longer duration. Also, visitors get to interact more intimately with the artwork,” says Iranna, whose work ‘Naavu’
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